English kings Henry I and King John.
IN one of the Cottonian manuscripts (Julius, E. IV.), a brief metrical chronicle of the kings of England, which has been attributed to John Lidgate (1), and which was composed soon after the 10th Hen. VI., is illustrated by a series of singular and bold drawings of the monarchs whose reigns it commemorates. Two of these figures are given on the accompanying plate, which were intended to represent Henry the First and King John. The costume of King John is rather remarkable, particularly the high clogs which he has on his feet.
LADIES FASHION OF THE TWELFTH CENTURY.
THE figures on the present plate are taken from different illuminations in the Cottonian Manuscript Nero C. IV. executed, probably, before the middle of the twelfth century.
Coronation spoon of English monarchs.
ECCLESIASTICS OF THE TWELFTH CENTURY.
NO class of figures occurs so frequently in the illuminations of our earlier manuscripts, as those of ecclesiastics of different grades; and as the older illuminators were almost exclusively monks, we are justified in concluding that none are represented more accurately with regard to their costume and other characteristics.
Spanish warriors from a MS. of the end of the eleventh century
EVERY step which we trace back in the history of the nations of Europe brings us nearer to a uniformity of costume. Fashions in dress did not begin to go through that quick vicissitude of change which characterizes modern times, till towards the thirteenth century. We can trace little variation in the dress of the Anglo-Saxons during the whole period of their history, and not much between that of the Anglo-Saxons and the Franks.
As people became more distinctly separated from each other by national jealousies, and long and obstinate wars, the new fashions adopted in one country were more slowly communicated to another, and thus the similarity of costume becomes separated by distance of date; while some countries became so entirely estranged from each other during a long period, that the resemblance of costume and the simultaneous variation was altogether lost.
William Longespée, 1st Earl of Salisbury (1167-1226, also William I Longespée or Lungespée).
MUCH of romantic interest is attached to the name of Longuespee. The first of the name, who is represented in our plate, was the son of King Henry II. by his celebrated mistress, Fair Rosamond.
QUIETNESS and peace were not among the most prominent characteristics of those ages, in which, unfettered by the sage power of judicious and efficient laws, people were taught to seek justice rather by their own strength, than by the intermediation of others. At that period, the songs which sounded most musical to the ears of the iron-cased barons were the romances that told of hard blows and doughty adventures, and the pictures most beautiful to their eyes were such as those which we here give in ouer plate.
King and Knight. England 12th century.
DRESSES of ceremony for solemn occasions, particularly with persons in exalted stations, suffer fewer changes in the course of time, than those in common use. Our plate represents a king- of the latter end of the twelfth century, dressed in his robes of state; but we may probably take it as a good example of the regal costume during the twelfth and thirteenth centuries.
Fashion history of medieval England from 1154 to 1216.
Anjou-Plantagenêt ruling dynasty.
The Norman Period
William the Conqueror, 1066-1087.
by Mrs. Charles H. Ashdown.