Jack Rattenbury. The smugglers; picturesque chapters in the story of an ancient craft by Charles George Harper.
Category: 19th Century
View to the most ancient part of the city of Oporto from Villa Nova.
The annexed view, taken at the foot of the Serra, near the Bridge of Boats, exhibits the most ancient part of the city of Oporto.
Full view of the city of Oporto, from the Quay of Villa Nova.
Leading the spectator onward, and crossing to Villa Nova on the southern bank of the Douro, we come in full view of the city of Oporto
Oporto, from the Monte D’Arabida. Portugal 1832.
A view of the city of Oporto as seen from the Monte d’Arabida, looking directly up the majestic and beautifully winding Douro.
Oporto. The Mouth of the Douro from Massarelos.
The approach to Oporto by sea is remarkably beautiful. The view given in the vignette is taken from the garden of the Quinta of Senhor Joao Pacheco.
The Colonnade of Congress Hall, Saratoga Springs.
The Congress Hall has for many years held the palm of fashion among the rival Hotels of Saratoga.
Saratoga Lake. The beauty of the freshwater lake.
The Mohawks believed that its stillness was sacred to the Great Spirit, and that, if a human voice uttered a sound upon its waters, the canoe of the offender would instantly sink.
The Rapids above the Falls of Niagara.
No one who has not seen this spectacle of turbulent grandeur can conceive with what force the swift and overwhelming waters are flung upwards.
The Campbell tartan in the collection of the Highland Society of London.
Regimental dress 1793 to 1802. This is the only Campbell tartan in the collection made by the Highland Society of London in 1816-17.
Italy. Rural costumes. The farmers of the Terra di Lavoro. The Pifferari.
The figures represent inhabitants of Monte Cassino, the old Casinum, in the Terra di Lavoro, as they walk through the streets of Rome as models and through the capitals of the mainland as musicians.
Auguste Racinet. The Costume History by Françoise Tétart-Vittu.
Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style. Originally published in France between 1876 and 1888, Auguste Racinet’s Le Costume historique was in its day the most wide-ranging and incisive study of clothing ever attempted.
Covering the world history of costume, dress, and style from antiquity through to the end of the 19th century, the six volume work remains completely unique in its scope and detail. “Some books just scream out to be bought; this is one of them.” ― Vogue.com