Medieval Clothes of the Carolingians in the 7th and 8 Century.
Top row left: Maid of honor to the Empress. Carolingian queen. Prophetess. Right: Carolingian knights in armor and armament. Bishop and nobleman. Bottom row left: Troubadour, minstrel. Carolingian duke and knight in armor and armament. Right: Carolingian king, General in armor and field banner. Carolingian peasants.
Life-size warrior figures in full armor and equipment.
Life-size warrior figures in full costume and equipment using individual original pieces. The reconstructions of the Gimbelschen weapons collection (Karl Gimbel) appeared in 1902 with illustrations and descriptions at Mittler and Son Berlin. Head and limbs of the figures are carved from wood, movable part, each piece is up to them removable. The main purpose is to show the different armor types.
Source: Karl Gimbel: The Reconstruction of the Gimbel’s collection of weapons, Berlin 1902.
Roman Legionary by the reliefs of Trajan’s column, Rome.
Gallic warrior of about 400-200 BC.
Greek Hoplite Warrior ca 600 BC.
Knight of the 12th Century in the leather strip armor.
Carolingian Frankish knight 9th-10th Century.
Merovingian Frankish warrior about 600 AD.
Karl Gimbel: Die Reconstructionen der Gimbel’schen Waffensammlung. Mittler-Verlag, Berlin 1902.
1. Römischer Legionär nach den Reliefs der Trajans Säule Rom. 2. Gallischer Krieger von ca. 400-200 vor Christi Geburt. 3. Griechischer Krieger Hoplite ca. 600 vor Christi Geburt. 4. Ritter aus dem 12. Jahrhundert im lederstreifigen Harnisch. 5. Karolingisch fränkischer Ritter 9.-10. Jahrhundert. 6. Merowingisch fränkischer Krieger ca 600 nach Christi Geburt.
French carolingian queen and king 10th century. Ceremonial robes.
Source: “Modes et Costumes Historiques“. Drawing by Xavier Willemin. Edited and steel engraving by Hippolyte Louis Emile and Polidor Jean Charles Pauquet. Published by Cassell, Petter & Galpin London, 1864
Clotilde or Chrodechild (475–545), princess of Burgundy, was the second wife of Merovingian Frankish king Clovis I (Salian Frankish dynasty), and by this marriage, Queen of the Franks. She confessed to Catholicism and contributed to the decision in Clovis, also accept this form of Christianity. After the death of Clovis in 511 Clotilde founded monasteries and churches. She became, like her husband and her daughter buried in the Church of the Apostles in Paris, the later church of Sainte-Geneviève. Saint Clothilde as she is honored as patroness of women and notaries. She is often represented with a model of the church and a book, donating the poor. Her celebration is the 3rd June. Clotilde is revered as sacred by the Church.
Source: “Modes et Costumes Historiques“. Edited by Hippolyte Louis Emile and Polidor Jean Charles Pauquet. Published by Cassell, Petter & Galpin London, 1864
THE CAROLINGIAN PERIOD 752-987. Medieval fashion history.
Table of content
Reign of Charlemagne – The women of the tenth century wear two tunics – Judith’s belt – A veil is obligatory – Miniatures in the Mazarin Library- Charles the Bald’s Bible Shoes – Dress of Queen Lutgarde – Dress of Rotrude and Bertha – Gisla and other kings women of the Emperor – The Successors of Charlemagne – Cannes – Adelaide of Vermandois – The dress of widows.
Medieval nobility clothing. Emperor Henry II., 1000 A.C.
Figure of Frankish King Henry II., 973-1024, called the saints and a Frankish bishop. 1004 Henry II. became king, and 1014 he was appointed emperor of the Holy Roman Empire. Crowned king of the Lombards in Italy. 1014 Henry II. was crowned emperor by Pope Benedict.
Medieval clothing 900 A.C. Frankish Noblewomen and Queen.
The dress of the women was strongly influenced by the Byzantine clothing. The Roman era in women’s clothing was based on ancient greece models. The costumes were inspired by the tunic, which was decorated very expensive (nobility). It was worn without a belt and reached to the ankles. The women in the picture wearing the tunic as the upper and lower garment, the garment is shorter and ends with wide sleeves called a tablion. They were called cap sleeves, because the tip reached to the knees. It covers the entire arm. The noble women wore flat bonnets on a “Byzantine” is cloth that characterized the woman as being married. Unmarried women wore her hair loose, as a braid or a simple knot.
This headscarf played an important role and has been carefully designed. It was fixed by a headband, and on the breast with a brooch held together tightly so that it flowed around the chin. Until well into the 12th century, it remained fixed part of the female wardrobe. The decorative art of the Frankish, Germanic peoples at that time was already highly developed. Correspondingly was the jewelry such as earrings, bracelets and very valuable work for the nobility often artfully crafted from gold and precious stones. In this feudal era marked the position of the clothes the people. The material generally used linen and wool. The farmers were required by law as a dark fabrics, as written in the Chronicle Charlemagne the Great, is now evident that they differ from the nobles. At high levels, such as the nobility, the clothing was next to linen and wool, silk and brocade.
The manufacture of clothing was still in the house itself. Only with the rise of craft production in Germany joined together for the craftsmen’ guilds, the manufacture of clothing to the new guild of tailors was passed. Until then, there were separate rooms in a stately home where the lady of the house, the servants in the manufacture of clothing, wool spinning, weaving of fabrics, to the embroidering of the sewn clothes, supervised.