Category Archives: Le Style Parisien

LE STYLE PARISIEN. French fashion magazine. 1920`s Art deco fashion. French Haute Couture Costumes.

Art deco lace dresses by Charles F. Worth.

Lace dresses. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture.

Lace dresses – Robes Lacées. Worth, Martial et Armand.

Art deco lace dresses by Charles F. Worth and Martial & Armand. Plate IX.

Robes Lacées. Le style parisien 1915. 

  • (Worth) Dress in the blue serge trimmed with chenille embroidery of matching shade, the front laced in black velvet over a bright violet satin waistcoat.
  • (Worth). Dress in black velvet, front and border of the skirt in black corded silk, gold braid and tassels.
  • (Martial & Armand). Dress in mole corded silk, the bottom of the skirt and the collar are in velvet to match. The gimp is veiled in mole chiffon, likewise the lower part of the sleeves. Collar and piece beneath the arm in lace ” lamé ” with gold; at the back and on either side three roses embroidered in blue and gold; lacing in silk cord to match.

Gallery: Le style parisien. Planche IX. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Robes en Faille Brochée de Velours.

Robes en Faille Brochée de Velours. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture.

Robes en Faille Brochée de Velours.

Robes en Faille Brochée de Velours. Le style parisien 1915. Plate VIII.

Modèles ” du Style Parisien ” d’après les Tissus de Coudurier, Fructus et Descher.

  • Dress in black corded silk trimmed with corded silk broché with large squares of black velvet ( Coudurier No. 1464, see Pl. XXV, No. 2, the same material in white corded silk broché in turquoise copied from a dress of the Empress Eugénie`s).
  • Dress in rayé Directoire; black corded silk with stripes of gold velvet (Coudurier No. 1498). Corselet and bands on the skirt of plain black corded silk. Guimpe in shaded chiffon.
  • Dress in corded silk broché with large velvet flowers (Coudurier No. 10410. Pl. XXV, No.5). cut low 1830 style, white tulle gimp; large satin bow to match at the back.

Gallery: Le style parisien. Planche VIII. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Costumes in Breton style. Trois Robes Bretonnes.

Breton style. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Three Breton dresses – Trois robes Bretonnes.

Costumes in Breton style. Trois Robes Bretonnes. Le style parisien 1915.

  • (Beer). Dress in black velvet. Little jacket in corded silk of matching shade; waistcoat of white corded silk embroidered in green silk.
  • (Jenny) Dress in blue serge and velvet to match. Large buttons.
  • (Jeanne Paquin). Dress in brown corded silk, bodice and sleeves in broché corded silk. Brown velvet ribbon sewn on only at the top on the skirt and sleeves. Bodice laced with a narrow velvet ribbon to match. Chiffon gimp with a small tie in brown velvet.

Gallery: Le style parisien. Plate VII. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Fur stoles – Etoles de Fourrures. Modèles de Révillon Frères.

Fur stoles. Révillon Frères. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Fur stoles – Etoles de Fourrures. Modèles de Révillon Frères.

Fur stoles – Le style parisien. Plate VI. 1915.

Etoles de Fourrures. Modèles de Révillon Frères.

  • (Révillon *). Samll cape in skunk forming a peak back and front. The collar is turned back in the shape of a ” col châle “. The two points in front are trimmed with great bows of velvet ribbon to match, fringed with silk. Muff shaped in sections like a melon.
  • (Révillon). Stole in ” martre du Nord ” made in a peak with celluloid buttons imitating marble encircled with golden metal- Soft muff to match.
  • (Révillon). Stole in ermine and skunk. Two front pieces in white passementerie mingled with little tails. The back forms a large collar in skunk. The lower part of the muff is in ermine, the upper part in skunk with the head on the right, the paws and tail on the left, and the wrong side is in velvet matching the skunk.
  • (Révillon). Stole in sitka fox extremely voluminous, rich and expensive in appearance; each side takes two long fox skins, one with the head upwards, the other with the head hanging down.
  • Louis-Victor Révillon established in 1723 the famous leather and fur company in Paris at 159, Rue St. Honoré called la Maison Givelet (Actually 2014 at Paris’ Avenue Montaigne. Artistic director, Andrew Heather, formally at Givenchy).
Révillon Frères. French fur and luxury goods company. Advertising Maison Givelet.

Advertising by Révillon Frères.

Gallery: Le style parisien. Plate VI. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Silk dresses. Modèles du Style Parisien

Silk dresses. Le style parisien. Art deco fashion. Gibson girls, flapper costumes

Robes de Soie – Silk dresses

Modèles du Style Parisien Robes de Soie – Silk dresses 1915.

Modèles du Style Parisien d’après les Tissus de Bianchini et Férier.*
Continue reading

Robes en Faille et Panécla. Le style parisien.

Robes Tissus de Rodier. Style Parisien. Art deco fashion. Gibson girls costumes

Modèles du Style Parisien d’après les Tissus de Rodier.

Robes en Faille et Panécla.

Modéles du “Style Parisian” d’après le Tissus de Rodier. Le style parisien 1915.

  • Dress in old blue pekiné corded silk (Rodier No 05939) trimmed with cross way band of panécla * to match: pane of vegetable silk, (Rodier No 05965) collar and sleeves of white lace.
  • Dress in bronze colored panécla *; a pane of soft shiny vegetable silk (Rodier No 05965) trimmed with thick old gold silk twist, narrow edge to match passing below the bottom of skirt. Collar in ivory pane lined and bordered with sable.
  • Dress in panécla; vegetable silk pane soft and shiny (Rodier No 06026).
  • Panama binding and tissue Panécla: Velvet, the pile is made of silk; usually embroidered with colorful silk yarns.

Gallery: Le style parisien 1915. Plate III. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Related:
Fin de siècle era, Art Nouveau, Art deco, Flapper, Gibson girls, Roaring Twenties.



  1. Les Creations Parisiennes. La mode est un art.
  2. Le style parisien. Les elegances parisiennes 1915. by Lucien Vogel. (Art Nouveau. Fin de siècle, Belle Époque era.)
  3. Les Robes de Paul Poiret racontée par Paul Iribe, Paris 1908.
  4. Paris Fashion Designers in 1916.
  5. Supplément du ” Style Parisian ” No 3. Les elegances parisiennes 1915.
  6. Lotte Pritzel. Dolls for the showcase 1911.
  7. Les Chapeaux du Très Parisien Vol. 1., by G.P. Joumard. First edition 1921. (Flapper, Gatsby, Art deco era.)
  8. Les Chapeaux du Très Parisien Vol. 2,.G.P. Joumard. Second edition 1922.
  9. Les créations parisiennes. La mode est un art. Published 1929. (Flapper, Gatsby, Art deco era.)
  10. STYL 1922-1924. German Fashion Magazine. (Berlin Roaring twenties. Flappers, Art deco era.)
Art deco costume models by A. C. Steinhart.
Tempo Tempo. Models by A. C. Steinhart. Drawing of Regelsky. Styl, Plate 14, Issue VIII / IX, 192... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany • Hat
Art Deco Fashion • STYL
For the table. Flowers to an etching of Tannenberg.
For the table. Flowers to an etching of Tannenberg. STYL, Table 2, Book VII, 1922. Source: STY... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL
Ermine. Art deco Evening Cape by Johanna Marbach.
Ermine. Evening Cape by Johanna Marbach. Lithograph by Schmidt-Caroll. STYL, panel 11, Issue VIII... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL
Aristocratie. Les Chapeaux du Très Parisien, 1922.
Model Aristocratie, Les Chapeaux du Très Parisien, 1922. Les aigrettes légères sont une di... Read more
1922 • 20s • 20th Century • Art Deco Period • Chapeaux du Très Parisien • France • Hat
Art Deco Fashion • Flapper
Evening dresses by Viennese fashion house Max Becker.
On the stairs. Evening dresses by Viennese fashion house Max Becker. Drawing by Schmidt-Caroll. S... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL
Model of “Cloche de Mai” by couturier Bernard et Cie, Paris 1929.
Model of “Cloche de Mai” by couturier Bernard et Cie Les créations parisiennes, Paris 1929.... Read more
1929 • 20s • Art Deco Period • France • Haute couture • Les Creations Parisiennes.
Art Deco Fashion • Bernard et Cie • Couturier
Chic manteau de velours noir by Germaine Lecomte.
Chic manteau de velours noir by Germaine Lecomte. Left: Chic manteau de velours noir garni de r... Read more
1929 • 20s • 20th Century • Art Deco Period • France • Haute couture • Les Creations Parisiennes.
Art Deco Fashion • Flapper • Germaine Lecomte • Haute Couture Costumes
The lady with the veil. Hat by Martha Loewenthal.
The lady with the veil. Hat by Martha Loewenthal. Drawing by Leonard. Styl, table 5, Issue VII, 1... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL

Samson and Delilah Revisited: The Politics of Women’s Fashion in 1920s France by MARY LOUISE ROBERTS. (PDF)

Art deco Hats. Models by Maria Guy.

Hat Modèles de Maria Guy. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Chapeaux. Modèles de Maria Guy.

Art deco Hats. Models by Maria Guy.

Chapeaux. Modèles de Maria Guy 1915.

  • Fig.166. Maria-Guy. Hat in black panne trimmed with a grey ostrich feather.
  • Fig.167. Maria-Guy. Toque trapped with ” bleu de roi ” velvet.
  • Fig.168. Maria-Guy. Hat in black panne. Effect produced by the pleated pane kept in with a band of sable, and a cloud of tulle fixed by a ” cabochon ” of burn topaze.
  • Fig.169. Maria-Guy. Hat of pane and black tulle.
  • Fig.170. Maria-Guy. Toque in claret-colored velvet and sables.

Gallery: Le style parisien. Plate II. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Afternoon dresses by Jeanne Lanvin

Jeanne Lanvin. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Modèles de Jeanne Lanvin

Afternoon dresses by Jeanne Lanvin 1915.

Robes d’Après Midi. Modèles de Jeanne Lanvin.

Left: Dress of plain claret velvet. Waistcoat and edging of the pockets in pink cloth. Silver embroidery at the collar, wrists and pockets. Cockades in silver ribbon; round silver buttons. Hat from Lanvin to match.

Right: Afternoon dress in black crimped crape trimmed with mole. Cockades of narrow faille ribbon arranged from top to bottom along the front. The bands of mole are placed in circles on the skirt and on the bodice, nearly under the arms. They also form epaulets. The gathered sleeves, widened as the elbow are transparent over the arm. Big soft muff to match. Hat from Lanvin`s in mole.

Gallery: Le style parisien. Plate I. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Flounce dresses. Fin de siècle fashion 1915.

Flounce dresses. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture. Gatsby period 1920s costumes.

Flounce dresses. Le style parisien 1915.

Flounce cocktail dresses 1915.

LE STYLE PARISIEN. ROBES DE FOULARD 1915. D’APRÈS LES TISSUS DE MOULAY ET SCHULTZ. Costumes according to the fabrics of Moulay & Schultz. Continue reading

Belle Epoque Evening Dresses 1916. Modèls du style Parisian.

Belle Epoque costumes. French Fin de siècle fashion by couturier Fructus & Descher. Haute couture costumes

Evening dresses 1916

Evening dresses 1916. French Haute couture by Coudurier Fructus Descher. French Fin de siècle.

Paris 1916. PETlTES ROBES DE SOIE.
MODÈLS DU STYLE PARISIAN.
Tissages de soieries Coudurier, Fructus & Descher.

Women belts design Paris 1917. Les Élégances Parisiennes.

Vintage Fashion. French Accessoires belts, Art deco

Ceintures Nouvelles 1917

Les Élégances Parisiennes. Women belts fashion Paris 1917.

CEINTURES NOUVELLES, 1917. MODÈLS DU STYLE PARISIAN, FRANCE.

Fashion drawings of French belt designs in the transition of the Art Nouveau style to art deco.