Tag Archives: Art Deco Fashion

Art déco fashion. The Time between c. 1910 and 1940. – it was, in the midst of the general new departures of classical modernism, a design connection between elegance and form, precious materials, strength of color and sensuality of the subject. The ideas and suggestions received the Art Deco from all directions of development of modernity that were bundled in Paris like nowhere else.
Keywords: The fashion of the Jazz Age. Androgyny, Luxury, The Flapper, The Charleston girls. French Designers like Paul Poiret, Coco Chanel, Elsa Schiaparelli, Jean Patou. Tubular silhouette, The Cloche hat.

Art deco Diner Gowns. Le style parisien 1915.

Diner Gowns. Premet, Paquin, Dœuillet. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Diner Gowns – Robes de Diner. Premet, Paquin, Dœuillet.

Art deco Diner Gowns. Le style parisien 1915. Plate XIX.

Robes de Diner. Premet, Paquin, Dœuillet.

  • (Premet). Dress of black tulle embroidered with a design in blue, and gold; foundation of black satin, bands of skunk.
  • (Paquin). Black velvet dress, the back of the bodice is entirely made of silver lace which is brought over the shoulders and forms a yoke in front. The skirt is trapped and caught up behind with a touch of silver lace. Trimming in skunk.
  • (Dœuillet). Dress of black velvet and Chantilly over a foundation in Liberty silk.

Gallery: Le style parisien. Planche XIX. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Chapeaux Modèles de Georgette. Le style parisien 1915.

Hats fashion Georgette. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Chapeaux Modèles de Georgette.

Chapeaux Modèles de Georgette. Le style parisien 1915. Plate XVIII.

  • Fig. 232. (Georgette). Toque in light snuff colored taffeta, the crown consists of taffeta cut on the cross, gathered and drawn, kept in by a tornado of similar taffeta.
  • Fig. 233. (Georgette). Marquis hat in black pane, each of the turned up sides is crossed by a flat bow of black corded silk ribbon.
  • Fig. 234. (Georgette). Hat in black panne.
  • Fig. 235. (Georgette). Hat in blue velvet trimmed with fur.
  • Fig. 236. (Georgette). Hat in breitschwantz with the addition of a little ostrich head. A twist consisting of tiny black ribbon moiré trims the outer edge and looks like a band of breitschwantz.

Gallery: Le style parisien. Planche XVIII. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Art deco tunics and bed jackets for home.

Tunics and bed jackets for home. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Tunics and bed jackets for home – Liseuses et Tuniques pour la Maison.

Tunics and bed jackets for home. Le style parisien 1915. Plate XI.

Liseuses et Tuniques pour la Maison. Modèles ” du Style Parisien ” d’après les Tissus et Rubans de Ralmon.

  • Fig. 204. Tunic of blue silk muslin brooch with velvet bouquets in red and green (Raimon No. 8752-4) Waistband in plain silk muslin. Collar and sleeves trimmed with fur.
  • Fig. 205. Little jacket in blue silk muslin broché with silk roses. (Raimon No. 8254-1) trimmed with chinchilla.
  • Fig. 206. ” Liseuse ” in blue silk muslin broché with grey velvet (Raimon No. 8138-1) and trimmed with skunk.
  • Fig. 207. ” Liseuse ” in grey chiffon with leaves in dark blue velvet (Raimon No. 8620-3) Cordeliére of grey silk. Coallr and facings in grey velvet.
  • Fig. 208. Tunic in blue chiffon with smocking at the waist, ribbon drawn through and fastening in front with a little rose. The collar and bottom of the tunic are in chiffon broché with velvet spots of a matching shade (Raimon No. 8286-1721). Trimming in kolinski.
  • Fig. 209. Tunic in plain chiffon trimmed with blue faille ribbon bordered wih velvet to match (Raimon No. 165-18).
  • Fig. 210. ” Liseuse ” in red and blue chiffon broché with velvet daisies (Raimon No. 8620-3). Band of marabout.

Gallery: Le style parisien. Planche XI. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Hat fashion by Suzanne Talbot. Le style parisien 1915.

Art deco hat fashion by Suzanne Talbot. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Chapeaux Modèles de Suzanne Talbot.

Hat fashion by Suzanne Talbot. Le style parisien 1915. Plate X.

Chapeaux Modèles de Suzanne Talbot.

  • (Suzanne Talbot). Large hat in black pane. Band fastening on one side trimmed with a Greek design in steel.
  • (Suzanne Talbot). Small hat in silky pane with fancy trimming and feathers streaked with gold.
  • (Suzanne Talbot). Cap in black pane trimmed with ” couteau ” in black pane.
  • (Suzanne Talbot). Little Breton hat trimmed with setel beads and a shower of black velvet ribbons.

Gallery: Le style parisien. Planche X. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Art deco lace dresses by Charles F. Worth.

Lace dresses. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture.

Lace dresses – Robes Lacées. Worth, Martial et Armand.

Art deco lace dresses by Charles F. Worth and Martial & Armand. Plate IX.

Robes Lacées. Le style parisien 1915. 

  • (Worth) Dress in the blue serge trimmed with chenille embroidery of matching shade, the front laced in black velvet over a bright violet satin waistcoat.
  • (Worth). Dress in black velvet, front and border of the skirt in black corded silk, gold braid and tassels.
  • (Martial & Armand). Dress in mole corded silk, the bottom of the skirt and the collar are in velvet to match. The gimp is veiled in mole chiffon, likewise the lower part of the sleeves. Collar and piece beneath the arm in lace ” lamé ” with gold; at the back and on either side three roses embroidered in blue and gold; lacing in silk cord to match.

Gallery: Le style parisien. Planche IX. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Robes en Faille Brochée de Velours.

Robes en Faille Brochée de Velours. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture.

Robes en Faille Brochée de Velours.

Robes en Faille Brochée de Velours. Le style parisien 1915. Plate VIII.

Modèles ” du Style Parisien ” d’après les Tissus de Coudurier, Fructus et Descher.

  • Dress in black corded silk trimmed with corded silk broché with large squares of black velvet ( Coudurier No. 1464, see Pl. XXV, No. 2, the same material in white corded silk broché in turquoise copied from a dress of the Empress Eugénie`s).
  • Dress in rayé Directoire; black corded silk with stripes of gold velvet (Coudurier No. 1498). Corselet and bands on the skirt of plain black corded silk. Guimpe in shaded chiffon.
  • Dress in corded silk broché with large velvet flowers (Coudurier No. 10410. Pl. XXV, No.5). cut low 1830 style, white tulle gimp; large satin bow to match at the back.

Gallery: Le style parisien. Planche VIII. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Costumes in Breton style. Trois Robes Bretonnes.

Breton style. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Three Breton dresses – Trois robes Bretonnes.

Costumes in Breton style. Trois Robes Bretonnes. Le style parisien 1915.

  • (Beer). Dress in black velvet. Little jacket in corded silk of matching shade; waistcoat of white corded silk embroidered in green silk.
  • (Jenny) Dress in blue serge and velvet to match. Large buttons.
  • (Jeanne Paquin). Dress in brown corded silk, bodice and sleeves in broché corded silk. Brown velvet ribbon sewn on only at the top on the skirt and sleeves. Bodice laced with a narrow velvet ribbon to match. Chiffon gimp with a small tie in brown velvet.

Gallery: Le style parisien. Plate VII. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Fur stoles – Etoles de Fourrures. Modèles de Révillon Frères.

Fur stoles. Révillon Frères. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Fur stoles – Etoles de Fourrures. Modèles de Révillon Frères.

Fur stoles – Le style parisien. Plate VI. 1915.

Etoles de Fourrures. Modèles de Révillon Frères.

  • (Révillon *). Samll cape in skunk forming a peak back and front. The collar is turned back in the shape of a ” col châle “. The two points in front are trimmed with great bows of velvet ribbon to match, fringed with silk. Muff shaped in sections like a melon.
  • (Révillon). Stole in ” martre du Nord ” made in a peak with celluloid buttons imitating marble encircled with golden metal- Soft muff to match.
  • (Révillon). Stole in ermine and skunk. Two front pieces in white passementerie mingled with little tails. The back forms a large collar in skunk. The lower part of the muff is in ermine, the upper part in skunk with the head on the right, the paws and tail on the left, and the wrong side is in velvet matching the skunk.
  • (Révillon). Stole in sitka fox extremely voluminous, rich and expensive in appearance; each side takes two long fox skins, one with the head upwards, the other with the head hanging down.
  • Louis-Victor Révillon established in 1723 the famous leather and fur company in Paris at 159, Rue St. Honoré called la Maison Givelet (Actually 2014 at Paris’ Avenue Montaigne. Artistic director, Andrew Heather, formally at Givenchy).
Révillon Frères. French fur and luxury goods company. Advertising Maison Givelet.

Advertising by Révillon Frères.

Gallery: Le style parisien. Plate VI. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Silk dresses. Modèles du Style Parisien

Silk dresses. Le style parisien. Art deco fashion. Gibson girls, flapper costumes

Robes de Soie – Silk dresses

Modèles du Style Parisien Robes de Soie – Silk dresses 1915.

Modèles du Style Parisien d’après les Tissus de Bianchini et Férier.*
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Robes en Faille et Panécla. Le style parisien.

Robes Tissus de Rodier. Style Parisien. Art deco fashion. Gibson girls costumes

Modèles du Style Parisien d’après les Tissus de Rodier.

Robes en Faille et Panécla.

Modéles du “Style Parisian” d’après le Tissus de Rodier. Le style parisien 1915.

  • Dress in old blue pekiné corded silk (Rodier No 05939) trimmed with cross way band of panécla * to match: pane of vegetable silk, (Rodier No 05965) collar and sleeves of white lace.
  • Dress in bronze colored panécla *; a pane of soft shiny vegetable silk (Rodier No 05965) trimmed with thick old gold silk twist, narrow edge to match passing below the bottom of skirt. Collar in ivory pane lined and bordered with sable.
  • Dress in panécla; vegetable silk pane soft and shiny (Rodier No 06026).
  • Panama binding and tissue Panécla: Velvet, the pile is made of silk; usually embroidered with colorful silk yarns.

Gallery: Le style parisien 1915. Plate III. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Related:
Fin de siècle era, Art Nouveau, Art deco, Flapper, Gibson girls, Roaring Twenties.



  1. Les Creations Parisiennes. La mode est un art.
  2. Le style parisien. Les elegances parisiennes 1915. by Lucien Vogel. (Art Nouveau. Fin de siècle, Belle Époque era.)
  3. Les Robes de Paul Poiret racontée par Paul Iribe, Paris 1908.
  4. Paris Fashion Designers in 1916.
  5. Supplément du ” Style Parisian ” No 3. Les elegances parisiennes 1915.
  6. Lotte Pritzel. Dolls for the showcase 1911.
  7. Les Chapeaux du Très Parisien Vol. 1., by G.P. Joumard. First edition 1921. (Flapper, Gatsby, Art deco era.)
  8. Les Chapeaux du Très Parisien Vol. 2,.G.P. Joumard. Second edition 1922.
  9. Les créations parisiennes. La mode est un art. Published 1929. (Flapper, Gatsby, Art deco era.)
  10. STYL 1922-1924. German Fashion Magazine. (Berlin Roaring twenties. Flappers, Art deco era.)
Model of “Cinq à sept” and “Cortège” by Couturier Jenny, Paris 1929
Créations de Couturier Jenny. Les créations parisiennes, Paris 1929. Left: Model of “Cinq à ... Read more
1929 • 20s • 20th Century • Art Deco Period • France • Haute couture • Headdresses • Les Creations Parisiennes.
Art Deco Fashion • Couturier • Germaine Lecomte • Jenny • Maggy Rouff
The garden Yrgill. Park design by Herrmann Rothe.
The garden Yrgill. Park design by Herrmann Rothe. Drawing by George A. Kolbe. Styl, table 7, Apri... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL
Cape and dress by M. Gerstel. Drawing by Lene Schneider-Kainer.
At the Havel (Berlin River). Cape and dress by M. Gerstel. Drawing by Lene Schneider-Kainer. Styl... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL
Lilly Reich blouse fashion, Berlin 1917.
Lilly Reich blouse fashion, Berlin 1917. Lilly Reich 1885-1945. Blouse in one piece. If tied bac... Read more
10s • 1917 • 20th Century • Art Deco Period • Germany
Art Deco Fashion
Embroidered Fan. Designed by Lilian Archer 1914.
Embroidered Fan. Designed by Lilian Archer 1914. Executed by Alice Archer. Owned by Mrs. Drinkwat... Read more
10s • 20th Century • Accessoires • Art Deco Period • Art Nouveau • Embroidery
Embroidery designs
Visit dress by Marie Latz.
The car is here! Visit dress by Marie Latz. Drawing by Ludwig Kaiser. Style, panel 11 April, 1922... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL
The terrace. Summer dresses from Martha Loewenthal.
The terrace. Summer dresses from Martha Loewenthal. Styl, table 1, April-May 1922. Gallery: STYL... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Beautiful autumn day. Costume Models by Mossner.
Beautiful autumn day. Costume Models by Mossner. Drawing of Offterdinger. Styl, table 6, Issue VI... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL

Samson and Delilah Revisited: The Politics of Women’s Fashion in 1920s France by MARY LOUISE ROBERTS. (PDF)

Art deco Hats. Models by Maria Guy.

Hat Modèles de Maria Guy. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Chapeaux. Modèles de Maria Guy.

Art deco Hats. Models by Maria Guy.

Chapeaux. Modèles de Maria Guy 1915.

  • Fig.166. Maria-Guy. Hat in black panne trimmed with a grey ostrich feather.
  • Fig.167. Maria-Guy. Toque trapped with ” bleu de roi ” velvet.
  • Fig.168. Maria-Guy. Hat in black panne. Effect produced by the pleated pane kept in with a band of sable, and a cloud of tulle fixed by a ” cabochon ” of burn topaze.
  • Fig.169. Maria-Guy. Hat of pane and black tulle.
  • Fig.170. Maria-Guy. Toque in claret-colored velvet and sables.

Gallery: Le style parisien. Plate II. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.