Tag Archives: Belle Epoque Fashion

Esmeralda. Phoebus de Chateaupers. Notre Dame de Paris.

Captain of the archers uniform. Phoebus de Chateaupers. 15th century costumes

Phoebus de Chateaupers. Captain of the archers.

Phoebus de Chateaupers. Captain of the archers.

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Belle Époque costumes. Society and Spring toilet in 1906.

Art nouveau fashion. Sans-Ventre-Corset. Belle Époque costumes.

Spring toilet of houndstooth Batiste voile.

Art nouveau fashion. Belle Époque fashion.

Spring toilet from pastel cloth.

Art nouveau fashion. Sans-Ventre-line costumes. Belle Époque society fashion.

Society toilet of fantasy taffeta.

Belle Époque costumes. Society and Spring toilet in 1906.

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Princess Elvira of Bavaria (1868–1943). Belle Epoque.

Princess Elvira of Bavaria in belle époque ball robe. Parisian Tournure costume.

Princess Elvira of Bavaria (1868–1943

Princess Elvira of Bavaria (1868–1943)

in Parisian Tournure bustle costume to the 1890th. Painting by Karl Gampenrieder. Married to Rudolf of Kaunitz-Rietberg-Wrbna-Questenberg and Freudenthal. Belle Epoque, Fin de Siècle Fashion.

Related: The Corset and the Crinolin: A Book of Modes and Costumes.

Fur stoles – Etoles de Fourrures. Modèles de Révillon Frères.

Fur stoles. Révillon Frères. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture

Fur stoles – Etoles de Fourrures. Modèles de Révillon Frères.

Fur stoles – Le style parisien. Plate VI. 1915.

Etoles de Fourrures. Modèles de Révillon Frères.

  • (Révillon *). Samll cape in skunk forming a peak back and front. The collar is turned back in the shape of a ” col châle “. The two points in front are trimmed with great bows of velvet ribbon to match, fringed with silk. Muff shaped in sections like a melon.
  • (Révillon). Stole in ” martre du Nord ” made in a peak with celluloid buttons imitating marble encircled with golden metal- Soft muff to match.
  • (Révillon). Stole in ermine and skunk. Two front pieces in white passementerie mingled with little tails. The back forms a large collar in skunk. The lower part of the muff is in ermine, the upper part in skunk with the head on the right, the paws and tail on the left, and the wrong side is in velvet matching the skunk.
  • (Révillon). Stole in sitka fox extremely voluminous, rich and expensive in appearance; each side takes two long fox skins, one with the head upwards, the other with the head hanging down.
  • Louis-Victor Révillon established in 1723 the famous leather and fur company in Paris at 159, Rue St. Honoré called la Maison Givelet (Actually 2014 at Paris’ Avenue Montaigne. Artistic director, Andrew Heather, formally at Givenchy).
Révillon Frères. French fur and luxury goods company. Advertising Maison Givelet.

Advertising by Révillon Frères.

Gallery: Le style parisien. Plate VI. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Silk dresses. Modèles du Style Parisien

Silk dresses. Le style parisien. Art deco fashion. Gibson girls, flapper costumes

Robes de Soie – Silk dresses

Modèles du Style Parisien Robes de Soie – Silk dresses 1915.

Modèles du Style Parisien d’après les Tissus de Bianchini et Férier.*
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Robes en Faille et Panécla. Le style parisien.

Robes Tissus de Rodier. Style Parisien. Art deco fashion. Gibson girls costumes

Modèles du Style Parisien d’après les Tissus de Rodier.

Robes en Faille et Panécla.

Modéles du “Style Parisian” d’après le Tissus de Rodier. Le style parisien 1915.

  • Dress in old blue pekiné corded silk (Rodier No 05939) trimmed with cross way band of panécla * to match: pane of vegetable silk, (Rodier No 05965) collar and sleeves of white lace.
  • Dress in bronze colored panécla *; a pane of soft shiny vegetable silk (Rodier No 05965) trimmed with thick old gold silk twist, narrow edge to match passing below the bottom of skirt. Collar in ivory pane lined and bordered with sable.
  • Dress in panécla; vegetable silk pane soft and shiny (Rodier No 06026).
  • Panama binding and tissue Panécla: Velvet, the pile is made of silk; usually embroidered with colorful silk yarns.

Gallery: Le style parisien 1915. Plate III. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Related:
Fin de siècle era, Art Nouveau, Art deco, Flapper, Gibson girls, Roaring Twenties.



  1. Les Creations Parisiennes. La mode est un art.
  2. Le style parisien. Les elegances parisiennes 1915. by Lucien Vogel. (Art Nouveau. Fin de siècle, Belle Époque era.)
  3. Les Robes de Paul Poiret racontée par Paul Iribe, Paris 1908.
  4. Paris Fashion Designers in 1916.
  5. Supplément du ” Style Parisian ” No 3. Les elegances parisiennes 1915.
  6. Lotte Pritzel. Dolls for the showcase 1911.
  7. Les Chapeaux du Très Parisien Vol. 1., by G.P. Joumard. First edition 1921. (Flapper, Gatsby, Art deco era.)
  8. Les Chapeaux du Très Parisien Vol. 2,.G.P. Joumard. Second edition 1922.
  9. Les créations parisiennes. La mode est un art. Published 1929. (Flapper, Gatsby, Art deco era.)
  10. STYL 1922-1924. German Fashion Magazine. (Berlin Roaring twenties. Flappers, Art deco era.)
French hat fashion by Marie Louise, Paris 1917.
French hat fashion by Marie Louise, Paris 1917. Modèls de Marie Louise. CHAPEAUX, 1917. Modèls ... Read more
10s • 20th Century • Art Deco Period • France • Hat • Haute couture • Headdresses • Le Style Parisien
Art Deco Fashion
Art deco Diner Gowns. Le style parisien 1915.
Art deco Diner Gowns. Le style parisien 1915. Plate XIX. Robes de Diner. Premet, Paquin, Dœuille... Read more
10s • 1915 • 20th Century • Art Deco Period • France • Haute couture • Le Style Parisien
Art Deco Fashion • Georges Dœuillet • Haute Couture Costumes • Jeanne Paquin • Lucien Vogel • Premet
Tea party at Rachel. Lithograph after a drawing by Erich M. Simon.
Tea party at Rachel. Lithograph after a drawing by Erich M. Simon. Style, table 6, Issue 2. Art ... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL
Jeanne Blanchot. Hat Models “Simplicité Mondaine”.
Creation Jeanne Blanchot. Hat Models “Simplicité Mondaine”. Un grand chapeau de panne avec u... Read more
1921 • 20s • 20th Century • Art Deco Period • France • Headdresses
Art Deco Fashion • Bonnet • Chapeaux du Très Parisien • Flapper • Gatsby • Jeanne Blanchot
Model of Cote d`Azur. Les Chapeaux du Très Parisien
Model of Cote d`Azur. La légèreté et la souplesse dela paille manille mêlées aux rubans S... Read more
1922 • 20s • 20th Century • Art Deco Period • Chapeaux du Très Parisien • France • Hat • Haute couture
Art Deco Fashion • Flapper
Beautiful autumn day. Costume Models by Mossner.
Beautiful autumn day. Costume Models by Mossner. Drawing of Offterdinger. Styl, table 6, Issue VI... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL
Actress Maria Corda in glamour art deco costume, 1925.
Actress Maria Corda (Mária Antónia Farkas) in glamour art deco costume, 1925. Maria Conrad, 1... Read more
20s • 20th Century • Art Deco Period • Austria
Art Deco Fashion
By the sea. Beach costumes by Gerard Bresser.
By the sea. Beach costumes by Gerard Bresser. Drawing Kretschmann. Styl, table 2, Issue 5, 1922. ... Read more
1922 • 20s • 20th Century • Art Deco Period • Germany
Art Deco Fashion • STYL

Samson and Delilah Revisited: The Politics of Women’s Fashion in 1920s France by MARY LOUISE ROBERTS. (PDF)

New York Working Girls in an Opium Den 1883

New York Working Girls in an Opium Den 1883. Frank Leslie's Illustrated Newspaper New York. Costume Belle Epoque

New York Working Girls1883

New York Working Girls in an Opium Den 1883.

Scene In An Opium Den, In Pell Street, Frequented By Working Girls. The Archive Of The Old Print Man. Frank Leslie’s Illustrated Newspaper, New York. 1883.

American Beauty. Belle Epoque Fashion

American Beauties by Albert Sterner. American Belle Époque Fashion. Art Nouveau Costume.

American Belle Époque Fashion

American Beauty. Belle Epoque Fashion.

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Japan Actress Madame Sada Yacco

Japanese Actress Sada Yacco. Japan Geisha.

Actress Sada Yacco in the role of Oriye

Japan Actress Sada Yacco  (1871-1946)

In the role of Oriye. Japanese Ophelia: Madness scene. Sada Yacco dans le rôle d’Oriye, l’Ophélie japonaise: scène de la folie.

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Flounce dresses. Fin de siècle fashion 1915.

Flounce dresses. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture. Gatsby period 1920s costumes.

Flounce dresses. Le style parisien 1915.

Flounce cocktail dresses 1915.

LE STYLE PARISIEN. ROBES DE FOULARD 1915. D’APRÈS LES TISSUS DE MOULAY ET SCHULTZ. Costumes according to the fabrics of Moulay & Schultz. Continue reading

Evening dresses by Fructus et Cie. Belle Epoque Fashion France 1916.

Fin de siècle Evening dresses by couturier Fructus et Cie. Belle Epoque Fashion France 1916.

Evening dresses by Fructus et Cie

Evening dresses by Fructus et Cie. Belle Epoque Fashion France 1916.

Robes du soir. Tissus de Coudurier, Fructus et Cie. Dentelles de Thiebault. Broderies de Lefranc. Ruban de Raimon.

Modèls des LES ÉLÉGANTES PARISIENNES.

Fig. Middle
Robe de gros de Londres bleu pâle ourlée d’un ruban de taffetas citron semé de roses bleues. Patron 926, coloris 4. de la Maison Raimon. Guimpe et dépassant de dentelle d’argent brodee à la main, de la Maison THIEBAUT. Tissus de la Maison Coudurier Fructus.
Fig. Left
Robe de taffetas rose, brodé d’argent, de perles fines et de corail d’apres la broderie de la Maison Maurice Lefranc et Cie.
Fig. Right
Robe en crépe Juliette blanche lamée or et rayée de petites fleurs multicolores. Patron 40523, coloris K de la Maison Coudurier Fructus. Dessous de tafettas blanc bordé d’un volant découpé, ceinture de taffetas bleu.

LES ÉLÉGANTES PARISIENNES. DE LA MODE PARIS.
Revue Mensuelle.
Avril 1916. NUMERO UN (Vol.1)
Planche VI. Supplément des “Les Élégances parisiennes” N.1.
Le Gérant: H. Bernard.