Tag Archives: Corset

Corsages. Les modes sous Louis XVI. La mode du rococo.

Corsages.La mode Louis XVI. Costumes de rococo. 18 vêtements de siècle.

Corsages. Louis XVI.

Bodices. Fashion under Louis XVI., 1774 to 1789

(Late baroque, rococo fashion era)
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German Nobility fashion in 1570. Court dress 16th century.

German Nobility Baroque and Renaissance costumes. The Spanish fashion and court dress. Costume Designer ideas and research

German Nobility in court dress 1570

German Nobility fashion in 1570, 16th century.

Late Renaissance in the transition to the Counter-Reformation. Early Modernism, age of humanism. The Spanish fashion.

The man is wearing the typical, short, loose-fitting coat, called the Spanish cape, loose over his shoulders. This, a waist-length, quilted jacket with slit sleeves, which was called “goose belly”. A carefully pleated ruff, which is in the form of late no longer attached to the doublet, but is worn as a standalone fashion utensil. At this size, the shape of the collar was produced by wires and stiff linen, silk. High set Harem pants with a padded waist. Buckled shoes and stockings. On his head a little beret, a full beard. For this purpose, a long rapier.

The woman is in stiff corset bodice with drop waist. The narrow sleeves and collar are also completed by ruffles cuffs. The shoulders are padded bead. The style is worn high. She wears a Stuart hat, decorated with fine lace. The skirt is floor length and a short-term novelty at that time, in the form of the bustle or the later barrel Verdugado (guardians of virtue), bulked. She wears like the man a large ruff.

The cervical collar (also Fraise, millstone ruff) evolved as part of the clothing in the 16th Century from the the small fabric ruffle at the drawstring neck  pulled in frilly collar. The ruff was usually emerge from white linen, with a curling iron tubular romped (pipe collar) and partly very expansive (hence millstone collar). Especially under the influence of Spanish fashion the the Frill is an integral part of the clothing for both men and women.

The Spanish fashion. Nobility in court dresses, 1570.

Spanish Baroque and Renaissance costumes. The Spanish fashion and court dress. Costume Designer ideas and research

Spanish Nobility in 1570.

The Spanish fashion. Nobility in court dresses, 1570.

Time of the late Renaissance, the Thirty Years War, marked by the Counter-Reformation, with the associated dominance of the Spanish Baroque. Beret, cutlasses, buckled shoes, crinoline (Verdugado), ruff, gold and silver brocade.

Spanish costumes nobility, men`s court dress.

The men wears a typical element of the Spanish fashion, the short, loose-fitting cloak, called the Spanish cape with large collar. This was not buttoned and was loose over her shoulders.
This he wears a waist-length jacket, camisole, which was named after its final form “goose belly”. It is closed by a central row of buttons. It was padded and formed beads on the sleeves. The sleeve cuffs are finished of frills. The slit harem pants has a high waist and is, like the quilted jacket and produced a wide hip. This he wears buckled shoes and stockings. The high cap is decorated with silk ribbon and feather. Gloves, beard, and a long rapier perfect the equipment.

Spanish costumes nobility, woman`s court dress.

The clothes of the woman meets the men’s. A stiff corset bodice with drop waist. The narrow sleeves and collar are also completed by ruffles cuffs. The slotted sleeves with long cloth ribbons, which look like a throwback to the Burgundian fashion of Houppelande. The style is worn high, given the limited range of motion. The skirt, Verdugado, forerunner of the crinoline is floor length and richly ornamented. At the end of the 16th century was that, having regard as pictured here, through a framework of whalebone and iron. In her hand she holds a fan made of feathers. Jewelry serves as a valuable, simple necklace.
Under the skirt, several stiff petticoats were worn in linen, who were usually also richly embroidered. The Shiloette is a cone.
The shoes, called Kothurne, were made of wood or cork allowed the only reduced movements. The collar is decorated with fine lace, and is now, with both costumes, worn as a stand alone decorative element. The hair is styled smooth and is studded with precious diadems.

Woman in fur coat. German fashion in 1880.

Bustle. Cul de Paris. German fashion Turnüre costume. Clothing of the period of the 1870s. Corsage and corset.

German fashion 1880

Woman in fur coat. German fashion in 1880.

 

Cul de Paris. Riding habit 1880.

Bustle. Cul de Paris. German fashion Turnüre costume. Clothing of the period of the 1870s. Corsage and corset.

Riding habit 1880.

Cul de Paris. Riding habit. German fashion  in 1880.

 

Cul de Paris. German “Turnüre” fashion in 1880.

Bustle. Cul de Paris. German fashion Turnüre costume. Clothing of the period of the 1870s. Corsage and corset.

Cul de Paris 1880

Cul de Paris. German “Turnüre” bustle with corsage. Clothing of the period of the 1880s.

Cul de Paris. German corsage fashion in 1880.

Bustle. Cul de Paris. German fashion Turnüre costume. Clothing of the period of the 1870s.

Cul de Paris 1880

Cul de Paris. German “Turnüre” with corsage. Clothing of the period of the 1880s.

Cul de Paris. Fashion and costume in 1880.

Bustle. Cul de Paris. German fashion Turnüre costume. Clothing of the period of the 1870s. Corsage and corset.

Cul de Paris 1880.

Cul de Paris. German fashion and costume in 1880.

Bustle. Cul de Paris 1880 Germany.

Bustle. Cul de Paris. German fashion Turnüre costume. Clothing of the period of the 1870s.

Riding costume 1880

Bustle, Cul de Paris 1880 Germany. Riding costume with corset.

 

French nobleman and nobelwoman 1550. French Court Dress

French Renaissance costumes. 16th century fashion

French nobleman and nobelwoman 1550.

French nobleman and nobelwoman 1550. French Court Dress 16th century.

The nobleman wears a typical element of the Spanish fashion, the short, loose-fitting cloak, called the Spanish Cape. This was not buttoned and was loose over her shoulders.
This he wears a waist-length, quilted jacket with a mandarin collar, which was called “goose belly”. It was closed by a central row of buttons. The sleeves are occupied by frill sleeves.
Harem pants with a padded waist high set. Buckled shoes and stockings. On his head a little beret and a beard. A long iron spike completes the appearance.
The nobel woman is in stiff corset bodice with drop waist. The narrow sleeves and collar are also completed by ruffles cuffs. The shoulders are padded bead. The style is worn high. The skirt is floor length and richly decorated. Forward it will be kept open so that the cone-shaped, stiff petticoat, which is also decorated emerges. This was the forerunner of the crinoline (Farthingale, Vertugado, Hoop skirt). A headdress she wears an ornate bead cap, called Escoffion.
She wears under the long skirt the Kothurne that shoes are made of wood or cork. The folds of the dress are over with hot iron and wire into shape.

The Spanish fashion. Late Renaissance costumes in the transition to the Counter-Reformation, early Baroque period.

Marie Antoinette and her influence on fashion.

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Rococo fashion. Hoop-skirts. French Ancien Régime costumes. 18th century fashion. French court dress

French fashion 1774 to 1780.

The influence of Marie Antoinette on fashion.

The Reign of Louis XVI. 1774 to 1780.
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