Callot Model of Taffeta and Silk Voile. Paris Spring Season 1913 Afternoon Dress. Underskirt with fold of purple taffeta, also belt to match. Overskirt of silk voile, black panel and… Read More
Tag: Couturier
Callot Model of Blue Crepe Chinois. Paris Spring Season 1913.
Callot Model of Blue Crepe Chinois. Paris Spring Season 1913. Afternoon Gown, Callot Blue Crepe Chinois, Satin underskirt to match with a deep fold of material draped over skirt held up… Read More
Callot Model of Black Lace. Paris Spring Season 1913.
Callot Soeurs Model of Black Lace. Paris Spring Season 1913. Dinner Gown of Black Satin, Sash ends at foot of skirt. Overskirt of black net and two flounces of black Point… Read More
Créations de Couturiers Drecoll-Beer and Redfern, Paris 1929.
Créations de Couturiers Drecoll-Beer and Redfern. Les créations parisiennes, Paris 1929.
Nanteuil, Martial et Armand, Brandt, Paris 1929.
Créations de Couturiers Martial et Armand & Brandt.
Créations de Couturiers Nanteuil, Bernard et Cie, Paris 1929
Model of “Venenosa”, “Nuit blanche” by Couturiers Nanteuil & Bernard et Cie. Les créations parisiennes. La mode est un art.
Créations de Couturiers Brandt, Drecoll-Beer, Paris 1929.
Créations de Couturiers Brandt, Drecoll-Beer (Gustave Beer). Les créations parisiennes, Paris 1929.
Model of “Canari-Coucou” by couturier Berthe Hermance, Paris 1929.
Model of Canari-Coucou by couturier Berthe Hermance, Paris 1929.
Model of Madame by couturier Maggy Rouff, Paris 1929.
Model of Madame by couturier Maggy Rouff, Paris 1929.
Fashion Nostalgie by Mag-Helly.
Créations de Couturiers Mag-Helly and Joseph Magnin. Les créations parisiennes Paris 1929.
Auguste Racinet. The Costume History by Françoise Tétart-Vittu.
Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style. Originally published in France between 1876 and 1888, Auguste Racinet’s Le Costume historique was in its day the most wide-ranging and incisive study of clothing ever attempted.
Covering the world history of costume, dress, and style from antiquity through to the end of the 19th century, the six volume work remains completely unique in its scope and detail. “Some books just scream out to be bought; this is one of them.” ― Vogue.com