Chapter II. Roman, Greece and Egypt. The Corset and the Crinoline.
Tag: Crinoline
The Corset and the Crinoline. Chapter I.
The origin of the Corset. The Corset and the Crinoline.
The Corset and the Crinoline. Chapter VII.
The Corset and the Crinoline. Chapter VII. Starving and Lacing. Louis XVI Dress in 1776. George III.
Fashion silhouettes of the 19th century.
Restoration (1814-1830), Romantic period (1830-1848), Second Empire (1852-1870).
An embroidered mantle with a cape of very fine point d’Alençon.
A lace worked dress, in circular shape, furnished with a lace cape reaching to the top of the embroidery, of very fine point d’Alençon.
Early Victorian fashion around 1860. Informal afternoon outfit.
Man in striped suit with frock coat, flat hat, lace-up tie and checked waistcoat. The woman wears a voluminous dress, the waist figure accentuated, the skirt supported by a steel frame.
England Early Victorian. The crinoline of the mid-forties of the 19th century
Early Victorian. 1840-1865. The crinoline of the mid-forties was probably the most concealing costume ever worn by women.
The Fashion of the Crinoline in the Reign of Napoleon III. Empire français.
The Reign of the Crinoline. Petticoats, Cashmere shawls, Pompadour parasols. Dressmakers, like tailors, had begun to deal in ready-made garments.
Paris. La Mode illustrée 1846. Lingerie de Daniel Deray.
Chapeaux de Mariton. Lingerie de Daniel Deray. Corsets de Mme. Dumoulin.
Glamorous life in 1850. Fashions under the Restoration.
La vie Mondaine en 1850. Echoes of Bon Ton and of the life of fashion in 1850
Auguste Racinet. The Costume History by Françoise Tétart-Vittu.
Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style. Originally published in France between 1876 and 1888, Auguste Racinet’s Le Costume historique was in its day the most wide-ranging and incisive study of clothing ever attempted.
Covering the world history of costume, dress, and style from antiquity through to the end of the 19th century, the six volume work remains completely unique in its scope and detail. “Some books just scream out to be bought; this is one of them.” ― Vogue.com