Tag Archives: Ecclesiastical Dress

Russian priest and monk costumes. Russian Orthodox Clergy.

Russian priest and monk costumes. Clergy costumes russion orthodox.

Russian priest and monk.

Russian priest and monk costumes. Russian Orthodox Clergy.

From the Book: Manners, customs and costumes of all peoples of the world, based on authentic documents and and newer travel (1843) by Auguste Wahlen. (Mœurs, usages et costumes de tous les peuples du monde, d’après des documents and authentiques et les voyages des plus récents; (1843) Author: Auguste Wahlen, 1785-1850. Engrapher: François Pannemaker 1822-1900)

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The late Father St. John of Kronstadt in his garden.

St. John of Kronstadt. Ecclesiastical Dress. Traditional Russian costumes. Russia folk dress.

The late Father John of Kronstadt in his garden.

The late Father St. John of Kronstadt in his garden.

Ivan Ilyich Sergiev 1829-1909, also known as the Holy righteous John of Kronstadt, was an archpriest of the Russian Orthodox Church, who was canonized in 1964.
Since 1856, he kept a diary (“My Life in Christ”), which was posthumously translated into many different languages ​​and is considered as a guideline for many Orthodox.

Gallery: Provincial Russia. Painted by F. De Haenen. Described by G. Dobson, H.M. Grove, and H. Stewart. Published by Adam and Charles Black, London 1913.

The Coronation Banquet of Louis XV at Reims 1722.

18th century clothing, French Court, Louis XV Coronation Banquet. Reims. Rococo fashion.

The Coronation Banquet of Louis XV at Reims.

The Coronation Banquet of Louis XV at Reims.

The Coronation Banquet of Louis XV in the Grand Dinning Room of the Archiepiscopal Palace 25th October 1722. Ancien Régime, French Court.

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Ecclesiastical robes. 16th and 17th Century.

16th and 17th Century. Ecclesiastical robes. Swiss Guard. Pope in the robes. Deacon with the dalmatic and Alba. Altar boy in surplice.

Ecclesiastical robes. XVI. and XVII. Century.

Ecclesiastical robes. 16th and 17th Century.

Top row left to right: Chamberlain. Cardinal. Prelate. Right: Deacon with the dalmatic and Alba. Altar boy in surplice. Subdeacon in the Alba and colored stole. Continue reading

Chasuble decorated with embroidery, 16th century.

Chasuble decorated with embroidery. Renaissance clothing. Priest costume. Vestments 16th century.

Chasuble 16th century

Chasuble decorated with embroidery, 16th century.

XVI Century. French school. (Clothing) at Musée Condé, Chantilly. Decorated with embroidery. Renaissance period.

XVI Siècle. École Française. ( Vètement ) Au Musée Condé, à Chantilly. Orné de Broderies. Continue reading

Greek Priest in Eastern Orthodox Vestment, 1900.

Traditional Eastern Orthodox Vestment. Greek Monk cloth, Priest costume. Beard fashion.

Orthodox Greek Priest 1900

Greek Priest in Eastern Orthodox Vestment, 1900.

Greek monk or priest with prayer book and rosary. The shape of the hat is derived from the Byzantine imperial crown. He wears an unusual beard.

Read more: The Ancient Greek Costume by THOMAS HOPE.

Gallery: “On the history of costumes”. Münchener Bilderbogen (Munich pictures sheets). Published by Braun & Schneider, Munich c.1858 -1898s.

Kurds and Persians costumes.

Kurds and Persians costumes. Kurd Priest clothing. Persian Lady and Girl of Teheran. Plain of Ararat

Kurds, Persians.

Kurds and Persians costumes. Caucasian Race.

1. Kurd Girl. 2. Kurd from the Plain of Ararat. 3. Kurd Priest. 4. Persian Gentleman. 5. 6. Persian Lady and Girl of Teheran.

The Comprehensive Atlas and Geography of the World. “Races of the World”. Drawn by J. L. Williams. Engraved by A. Portier. Printed by Blackie & Son London, Glasgow & Edinburgh 1886

Wasudev Beggar. India Jaggi Vasudev. Indian Sadhguru

National costumes of India. Wasudev Beggar. India Jaggi Vasudev. Traditional Hindu clothing

Jaggi Vasudev Sadhguru

Wasudev Beggar. India Jaggi Vasudev

There are beggars and beggars, from the Hindu ascetic, who, after renouncing the lusts of the flesh, wanders from shrine to shrine, and meditates upon matters holy, to the gentleman delineated in the accompanying picture, who begs because he is built that way. Members of this particular caste have certain curious habits peculiar to themselves, and their headgear, if not their dress, is strikingly original. On the principle that the early bird catches the worm, they commence their rounds at three o’clock in the morning, standing outside a house and tinkling the little brass bell, which is one of their trade-marks, as an accompaniment to a doleful chant for alms. Patience and importunity are personified in an Eastern beggar. You may disregard his presence in the vain hope of driving him away in despair, and this, indeed, is usually the first method of procedure. But in no part of the wide world is the force of inertia better understood. He is used to cold neglect, and much more besides, so he calmly waits. Disregard may be followed by adjectives, but still he heedeth not. He’s used to that too. He repeats the monotonous wail, to the effect that he is a very poor man, a very hungry man; and has not the wherewithal to fill his internal economy. And as the smallest of coins is sufficient to rid one of his undesirable presence – even though in going he curse your want of liberality-he not infrequently reaps his reward.

But be it here remarked that, unless prepared to repeat the donation at frequent intervals, this method of treatment is not to be thought of, except as a means of temporary palliation. For your beggar, be he black or otherwise, has a knack, peculiarly his own, of never deserting his benefactors. On leaving your office at the end of the day, you are perhaps induced to give a coin to one of the many blind mendicants who swarm the thoroughfares. Henceforth he invariably awaits your coming, and, his youthful guide having marked you down, his persistent importunities move you to much profanity.
The Vasudev does not usually beg from Europeans, the reason probably being that he only “works” from three o’clock to eight a.m. One of the peculiarities of the native is his passion for remaining awake far into the night, and, on festive occasions, the whole night long, as many a long suffering Anglo-Indian can testify, the manners and customs of the inhabitants of the country at such times not being conducive to slumber within a radius of half a mile of the scene of gaiety.
The most original of stage· managers could surely never conceive for a Christmas pantomime a more grotesque form of hat than that worn by the Vasudev beggar. Shaped like a sugar loaf of huge proportions, the top part of it is covered with gold tinsel, while the lower half is gaily ornamented with peacock’s feathers.

Gallery: Typical pictures of Indian Natives. By F. M. Coleman, 1897.