Medieval costume history. The period between the end of antiquity and the beginning of modern times about the 6th to the 15th century. It includes as superordinate, the Byzantine, Merovingian, Carolingian and Burgundian costume eras. Therein are the Gallic, Celtic, English-Saxon, Normans, Gothic, Romanesque included.
Head-dresses of the ladies of the fifteenth century
L- Initial Letter
ELEGANCE and gracefulness, which had seldom exhibited themselves in the horned and peaked head-dresses of the ladies of the fifteenth century, began again to show themselves in the various headdresses of the beginning of the sixteenth. This was more especially visible in France, which country, then as now, took the lead in the fashions of dress.
QUIETNESS and peace were not among the most prominent characteristics of those ages, in which, unfettered by the sage power of judicious and efficient laws, people were taught to seek justice rather by their own strength, than by the intermediation of others. At that period, the songs which sounded most musical to the ears of the iron-cased barons were the romances that told of hard blows and doughty adventures, and the pictures most beautiful to their eyes were such as those which we here give in ouer plate.
DRESSES of ceremony for solemn occasions, particularly with persons in exalted stations, suffer fewer changes in the course of time, than those in common use. Our plate represents a king- of the latter end of the twelfth century, dressed in his robes of state; but we may probably take it as a good example of the regal costume during the twelfth and thirteenth centuries.
OSTUME, in the west of Europe, during the thirteenth and fourteenth centuries, was not strikingly characteristic of difference of countries; its changes were frequent, and often remarkable, but the intercourse between England and France, and in some measure with the neighbouring states, was so constant, that these changes were nearly simultaneous in them all. When, however, we pass to the south, and enter the warm clime and free states of Italy, we find the dresses of all classes have an entirely different character.
The Lady of the English on her visit to Winchester on 3rd March 1141. Matilda was given a formal welcome to Winchester and handed the keys to the treasury. Empress Matilda (also Empress Maude 1102 – 1167) was the first female regent of the kingdom of England, but was not crowned.
The Saxon Head-gear.— Banded Phrygian cap. Cloak.— Of blue cloth embroidered. Tunica.— Green cloth embroidered. Stockings.— Red cloth cross-gartered yellow. (Photographed direct from examples used in the Author’s lecture upon Mediaeval Costumes and Head-dresses.
Clovis I. (466-511) also Chlodowech Latin: Chlodovechus; Frankish: Hlōdowig; German: Chlodwig I.; French and English: Clovis; was a Franconian king or rex from the Merovingian dynasty.
CLOVIS I. KING OF THE FRANKS.
Baptême du fort Roi Clovis. Fragment d’une des Toiles peintes (XVe Siècle) de la ville de Reims. Baptism of King Clovis. Fragment of one of the Tapestries (15th Century) of the town of Rheims.
FOR the preservation of this statue, and the one supposed to represent Clotilda the queen of Clovis, we are indebted to the zeal of Alexandre Lenoir, who placed them in his museum of national antiquities. They formerly stood, with four others, at the portal of the ancient church of Notre Dame at Corbeil, a town about twenty miles to the south-east of Paris. But their companions perished with the church they embellished, and these figures, the only remains of its former magnificence, have been transferred from the museum to be placed at the entrance to the vaults of the magnificent church of St. Denis, the resting place of the long line of sovereigns of whose power Clovis laid the foundation.
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