Fashion of nobility in 1450 in Germany of the late Middle Ages. The woman with a high Hennin and veil. The over robe (Surkot) is made of heavy damask, gold interwoven, with train, the hem of the dress is decorated with ornaments. The sleeves lengthwise slit. She wears a belt and pointed shoes. The emphasis on fashion, the cut of the clothes (Cotte and Muodor), cleavage is, in contrast to the medieval fashion is very physical, in the prominence of the female figure.
The man is wearing a skirt girded (Schecke, front opening dress), with high collar. The shoulders are padded. At the collar bells attached. The sleeves are short, stands out among the wide linen shirt. It is in the style of the Mi-parti held, a specialty of the Burgundian fashion. It was the garment consists of two halves influenced both by different colors of the color complex symbolism of the Middle Ages, or even by different types of interface. For instance, a long sleeve, the other short, as in this picture, where the left sleeve is ripped up and the linen shirt, with wide-cut sleeves, stands out. He wears a two-colored leggings, which are attached by cords to the skirt. With one leg up over the knee extends, the other end already under her skirt. He wears his hair long with a diadem adorned with a feather.
Clothing of German citizens during the Reformation. Late Gothic dresses. German early Renaissance in 1450.
The man is wearing an overcoat, known in Italy as Zimarra in Germany as Schecke, french pour point. This coat came in different lengths. Among the most distinguished citizens, he reached down to the ankles. Characteristic are the large openings of the sleeves, sometimes up to 50 cm in length, which were often decorated with fur. The time had two tendencies in the fashion of the clothes. Either certain parts of the body with the type of cut were emphasized or it has been revealed. In this example, the shoulders of the man highlighted what gives it a decent look. This is emphasized further by wearing a beard. The upper portion of the skirt is richly decorated, the section tapering upward, resulting in an increase in the upper part of the body with it, culminating in a high collar. Ending with sumptuous folds down and wide open spaces, above the knees. Small embellishments on the collar, and sometimes the shoes emphasize the dignity of the citizen. Popular were big, heavy gold chains. On his head he wears a beret is adorned houppelande. In the houppelande, a relic of the late Middle Ages, is an arc cut cloth rag in the Middle Ages adorned the hems of the garments. The overall picture in his hand closes the worn, decorative gloves off.
The woman is wearing the robe hanging, the Gamurra, or cotta, with a train made of heavy fabric. The head is shaved, and above the sella, a less conspicuous form of two-horned hennin, with a long veil that covered her hair and identifies them as a married woman. Young unmarried girls decorate their hair with undisguised beads or garlands.
The plain cotta or Gamurra was round cut and consisted of long, lush ornamental sleeves, which were usually sewn only slightly and were replaced by it. In addition it carries the elegant Cioppa with ornate hem in bright, clear colors. The Cioppa is worn belted high, with long sleeves and trim is made of a train.