Although one includes the name of Madame Récamier amongst those who have always been associated with the Merveilleuses, she is scarcely to be classed as being merely one of the leaders of fashion and beauty, for she had talent and force of character which placed her high above her surroundings, and her name will be still remembered when those of so many others of the time have been long forgotten.
The Salon of Madame Récamier. 1794 Paris.
“It is impossible,” says the Duchesse d’Abrantés in her “Histoire des Salons de Paris,” “unless one had seen and retained an affectionate souvenir of her, to form an idea of her Hebe-like bloom, and all the attractions of her smile. There was in the unison of her smile and her eyes more charm than was necessary to captivate the most hardened heart. Madame Recamier at the age of eighteen was a unique creation, and I have never found either in Italy or Spain, that country so rich in beauty, nor in Germany, that classic land of rose-leaf complexions, anything that could be compared with Madame Recamier.”
This eulogy does not appear excessive when one remembers that the object of it was considered at that time not only one of the most beautiful women in Europe, as is proved by David’s well-known masterpiece, but also one of the most remarkable characters of her time. At the proved by David’s well-known masterpiece (In their time, Juliette Récamier was one of the most beautiful women and was painted by renowned artists, including by Jean-Auguste-Dominique Ingres, Francois Gerard and Jacques-Louis David, who painted it on a Récamier, a piece of furniture was named after her in the style of a sofa), but also one of the most remarkable characters of her time. At the early age of twenty, her superb mansion in the Rue du Mont Blanc was the most sought after by every one of the time who was any one. Few women have had a life so eventful, so filled with conspicuous incidents, and so brilliant in its successes, as Madame Recamier.
She was the daughter of a notary named Jean Bernard, and from her youth gave signs of great promise, for at quite an early age she was an excellent musician on the harp and piano, and a graceful dancer. The growing beauty was already being talked about when she attracted the notice of Marie Antoinette in 1784, who sent for the girl, to compare her with her own daughter, who was then considered very beautiful. The Salon of her mother, Madame Bernard, was at the time the rendezvous of the principal political men and beaux-esprits of the time, and it was here that her daughter, who was then only sixteen years of age, met her husband, a rich Parisian banker, Jacques Rose Recamier, twenty-six years older than herself, and with nothing much to recommend him except his wealth. The marriage turned out a failure, but the young wife was clever enough not to wear her heart on her sleeve, so to the world they were outwardly devoted. She was ambitious, and the wealth of her husband helped to carry out her projects. Her great aspiration was to be surrounded in her Salon by a circle of friends amongst whom should be all that was most distinguished in the Paris world, and in this, as is well known, she was successful beyond her wildest dreams. There are probably but few Salons which achieved such distinction as that of Madame Recamier in 1800, the magnificence of the surroundings forming a splendid framing for the exquisite beauty of the hostess. It was not until the commencement of the Consulate that her real career as a political and social hostess started, although her beauty had already created a sensation during the Directoire, and had attracted hosts of admirers, amongst whom was no less a personage than Lucien Bonaparte, the brother of the future Emperor.
The following, written about her at the time, will convey some idea of the unique position this beautiful woman occupied in the public estimation: “No one will be surprised to see amongst our illustrious contemporaries the friend of Madame de Staêl, of Monsieur de Chateaubriand, of Monsieur Ballanche, this lady who by the power of her beauty, the grace of her disposition, the infinite charm of her conversation, attracted constantly round her the most eminent men of all parties, and who never inspired love without respect, nor friendship without passion.”
It is well known that Monsieur Recamier had bought the splendid Hôtel in the Rue du Mont Blanc for her as a surprise gift, and Berlaut the architect had been engaged to transform the place into an enchanted palace. Berlaut had not only taste, but exquisite taste, and had never been unsuccessful in arranging a house. That of Madame Recamier was one of his most successful efforts: the dining-room, the bedroom, the small drawing-room, and the grand salon were all magnificently and elegantly furnished. It was here that the first ball to be given in a private house took place, the balls given by ministers and foreigners not being in the category. The balls that Madame Recamier gave were the most brilliant that had hitherto been seen in Paris, and she did the honors with such perfect grace and modesty as to gain all hearts. Madame Recamier was the first to hold receptions. She of course received a great many people by reason of her husband’s position, but, apart from this, she had her own world, a world that was more in unison with her own perfect taste and love of genial friendship, with the result that she established a definite coterie of her own, and in spite of her youth she achieved the honor of being considered a prototype for all other women.
Distinguished personages at her Salon
Amongst the host of distinguished personages who were the intimes of her delightful Salon at the zenith of her success, one finds quite a cosmopolitan reunion. First and foremost, her bosom friend Madame de Staêl, then one notes Lord and Lady Holland,
Madame Dwoff and her husband, the Duchess of Gordon and Lady Georgina, Mr. Fox, Eugénie Beauharnais, the beautiful Duchesse de Courlande, Lord and Lady Yarmouth, Monsieur de Chateaubriand, Adrien and Mathieu de Montmorency, Madame Ouidner, and a host of others equally noted, which space, however, prevents one mentioning. These are, no doubt, sufficient to give an idea of the entourage her personal charm, kindliness, and remarkable beauty had attracted, and made her Salon one of the most famous of the time.
The Countess Brownlow tells us in her Reminiscences: “The peace of 1802 brought, I suppose, many French to England, but I only remember one, the celebrated Madame Recamier, who created a sensation, partly by her beauty, but still more by her dress, which was vastly unlike the unsophisticated style and poke-bonnets of the Englishwomen. She appeared in Kensington Gardens à l’antique, a muslin gown clinging to her form like the folds of the drapery on a statue; her hair in a plait at the back, falling in small ringlets round her face, and glossy with ‘I’huile antique’; a large veil thrown over the head completed her attire, that habitually caused her to be followed and stared at.”
Her visit to London, 1802, still further emphasises the extraordinary charm of her personality; she was the talk of the town, and was received by the Prince of Wales, the Duchess of Devonshire, the Duke of Hamilton, and many others. It is related that people who did not know who she was would crowd round her when she appeared in public, so remarkable was her beauty.
- The Execution of the King Louis XVI.
- The Execution of Marie-Antoinette.
- Fashion under the French Revolution & Directoire Period 1789 to 1802.
- Portraits by people during the French Revolution.
- The French Republic 1789 to 1802. Fashion during the directoire period by Augustin Callamel.
- Nymphs and Merveilleuses. Fashion History of the Directoire, Neoclassical, Regency, Empire by Octave Uzanne.
- The Queens of Paris
- Les Incroyables et Merveilleuses. “The Directoire Style” between 1795–1804.
- Fashion during the french revolution. Paris 1793 to 1795.
- French Directory fashion in Paris after the Revolution 1796-1800.