William Longespée, 1st Earl of Salisbury.

Effigy, William Longespée, 1st Earl of Salisbury, Knight, 13th century, costume, dress, armour, middle ages, crusader

Effigy of William Longespée, 1st Earl of Salisbury, son of Henry II ‘Curtmantle’ d’Anjou, King of England and Ida de Tosny.

William Longespée, 1st Earl of Salisbury (1167-1226, also William I Longespée or Lungespée).

dropcap, Inkunabel, Initial, middle ages. 13th century, illuminated manuscript, Henry Shaw

Initial letter from MS. Arundel, No. 91. Known as Psalter and Book of Hours (the ‘Howard Psalter and Hours’), 14th century. Attributed to John of Metz ‘De Lisle Psalter’

MUCH of romantic interest is attached to the name of Longuespee. The first of the name, who is represented in our plate, was the son of King Henry II. by his celebrated mistress, Fair Rosamond.

His wife Ela, was also a heroine of romance. She was the sole heiress of the powerful family of the D’Evereux, earls of Salisbury; and it is said that, having been concealed in Normandy, she was discovered by a valiant English knight named Talbot, who found access to her in the guise of a minstrel, and, succeeding in carrying her away, presented her to King Richard at London.

The English monarch gave her in marriage to his chivalrous kinsman, William Longespée, on whom he also conferred in her right the estates and title of Earl of Salisbury. William Longuespee was actively engaged in the baronial wars in the reign of King John, of whom he was a devoted partizan.

Early in the reign of Henry III. this nobleman accompanied the Earl of Chester to the Holy Land, and was present at the battle of Damietta, in which the Christians were defeated by the Saracens. He afterwards was engaged in the Gascon wars. In his return to his native land an incident is said to have occurred which affords a remarkable illustration of the manners of that superstitious age.

“There arose so great a tempest at sea, that, despairing of life, he threw his money and rich apparel overboard. But when all hopes were passed, they discerned a mighty taper of wax, burning bright at the prow of the ship, and a beautiful woman standing by it, who preserved it from wind and rain, so that it gave a clear and bright lustre.
Upon sight of which heavenly vision, both himself and the mariners concluded of their future security: but every one there being ignorant what this vision might portend, except the earl: he, however, attributed it to the benignity of the Blessed Virgin, by reason that upon the day when he was honoured with the girdle of knighthood, he brought a taper to her altar, to be lighted every day at mass, when the canonical hours used to be sung, and to the intent that for this terrestrial light he might enjoy that which is eternal.”

William Longuespee died in 1226, not long after his return from the Gascon wars. During his wanderings, the Countess Ela, like another Penelope, was persecuted by the advances of a suitor—no less a person than Hugh de Burgh, who was afterwards accused by some of having poisoned her husband. After the Earl’s death, Ela retired to the abbey of Lacock, which she had founded, and became abbess of that house, in which one of her daughters also was a nun.

The first William Longuespee was buried in the Lady Chapel in Salisbury Cathedral, whence his tomb with his remains was removed about the year 1790, to the place they now occupy in the nave of the church. His effigy is a remarkably fine specimen of early sculpture. The colouring is very much obliterated on the more prominent parts, but a sufficient quantity of each pattern, or device, may still be traced to serve as authorities for a representation of it in its original state.

Cenni di Pepo, Cimabue, Italian painter, 13th century, Renaissance

Cimabue the painter, actual name Cenni di Pepo,  (“Oxen-head”) was a Florentine painter and mosaic artist, who also entered the history of art as the discoverer and master of Giotto. As one of the first of the early Renaissance, he broke with the formalism of Byzantine art, and tried in a more vivid portrayal of man and objects.

The cut at the foot (above) of the preceding page represents Cimabue the painter, and is taken from a painting by himself. Cimabue is regarded as the reviver of painting among the moderns. He was a Florentine, born of a noble family in 1240, and died ca. 1302. He is said to have learnt his art of two Greek painters, invited to Florence by the senate to paint one of the chapels of the church of Santa Maria Novella.

dropcap, Inkunabel, Initial, middle ages. 13th century, illuminated manuscript, Henry Shaw

Initial letter from MS. Arundel, No. 91. Known as Psalter and Book of Hours (the ‘Howard Psalter and Hours’), 14th century. Attributed to John of Metz ‘De Lisle Psalter’

Our initial letter is from MS. Arundel, No. 91. The cut below is from an illuminated MS. of the Apocalypse (13th cent.) in the Bibl. du Roi at Paris.

Knight, 13th century, Illuminated MS.,Apocalypse, middle ages, horse,

13th century illuminated MS. of the Apocalypse.

Source: Dresses and Decorations of the Middle Ages by Henry Shaw F.S.A. London William Pickering 1843.

Related to:
Byzantine, Medieval, Gothic, Burgundian, Renaisance fashion history

Paris, Norman viking invasion in 845.
Norman viking invasion in 845. Siege and attack on Paris by Vikings From thé book: Paris à t... Read more
9th Century • France • Genre • Middle Ages
Architecture • Medieval costume • Paris à travers les siècles • Vikings
The Carolingian Fashion Period 987 to 1270.
The Carolingian Fashion Period 987 to 1270. Table of content Earliest times of the Carolingian p... Read more
10th Century • 11th Century • 12th Century • 1380 • 13th Century • 14th Century • 9th Century • Byzantine • Carolingian • Ecclesiastical • France • French fashion history • Middle Ages • Nobility
Augustin Challamel • Byzantine fashion era • Medieval costume
German renaissance costumes 1520.
German renaissance costumes 1520, 16th century. First third of the XVI. Century. Top row left to... Read more
1520 • 16th Century • Germany • Middle Ages
Medieval costume • Münchener Bilderbogen • Renaissance fashion era
Medieval Earl in armor leaving for the war.
Medieval Earl in armor leaving for the war, followed by his vassals. 8th, 9th century. Comte par... Read more
8th Century • 9th Century • France • Middle Ages • Military
Augustin Challamel • Costumes civils et militaires des Français • Knighthood • Medieval costume
Court messenger and peasant costumes, 15th century.
Court messenger and peasant costumes, 1460 - 1500. Medieval gothic, burgundy fashion history. ... Read more
1460 • 1490 • 15th Century • Burgundian dress • Germany • Middle Ages
Burgundian fashion period • Costumes art and utensils • Gothic costumes • Medieval costume
Capetian noblewoman costume 12th century
Capetian noblewoman costume around 1190 to 1180, 12th century. Noble Capétienne, Vers 1180 A 119... Read more
12th Century • Carolingian • France • Middle Ages • Nobility
Gothic costumes • Medieval costume
Byzantium Bishop, Deacon and Levite costumes.
Associated with:  Byzantine costume history.  The Rise of Monachism. Monastic costumes ... Read more
10th Century • Byzantine • Court dress • Ecclesiastical • Middle Ages
Byzantine fashion era • Ecclesiastical Dress • Medieval costume • Monastic clothing
English and French burgundy fashion in the 15th Century.
English and French burgundy fashion in the 15th Century. Top row left to right: English fashion i... Read more
1420 • 1470 • 15th Century • Burgundian dress • England • France • Middle Ages • Nobility
Burgundian fashion period • Hennin • Münchener Bilderbogen