One which most directly meets the eye on entering the City of Petra from the eastward, is the Theatre.
View of Petra from the top of the Nabataean Theatre.
Tag: David Roberts
The Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, by David Roberts. London: Published by Day & Son. Cate Street, Lincoln’s Inn Fields, 1855.
The Citadel of Jerusalem and the Tower of David.
The citadel of Jerusalem, with the Tower of David, lies on the north-western part of Sion, to the south of the Jaffa Gate.
The Necropolis of Petra. The tombs of the chief Cemetery.
In the valley which conducts to Petra, and which lies outside the “Chasm,” is the chief Cemetery.
Men sitting to smoke by a ravine at Petra, Jordan.
This view is taken from the Theatre, and represents the Excavations in the opposite cliffs; and the continuation of the chief eastern entrance to the City.
Excavations at the Eastern End of the Valley, Petra.
The architects of Petra had evidently a strong sense of beauty. The City, in its pomp and animation, have formed a combination altogether unrivalled.
The Acropolis (Kusr Faron) Lower End of the Valley. Petra 1839.
It seems to have formed the approach to the Palace, or pile of building in the centre, called by the Arabs Kusr Faron (Pharaoh’s Castle).
Conference of Arabs at Wady Moosa, Petra March 6th 1839.
The Engraving gives a conception of the manner in which the more serious affairs of the natives are conducted.
Remains of a triumphal arch at Petra. Jordan 1839.
The Arch-way in the Engraving, in the lower Roman style, is little more than a heap of stones.
Travellers at the tomb of Aaron, on the summit of Mount Hor, near Petra.
Among the hills in the approach to Petra, the most striking is Mount Hor, from its boldness and height, and still more, from its connexion with Scripture.
Petra, Showing the Upper or Eastern End of the Valley.
The edifice in front is of larger dimensions, and has four entrances, adorned by pilasters and ornaments in the florid style.