In 1920 the costume consisting of a straight, short skirt, trim box coat or sweater and blouse
Costume silhouettes at the beginning of the twentieth century.
Tag: Art Deco period
The Art déco period was the time between c. 1910 and 1940. It was the fashion of the Jazz Age and stood for modernism, androgyny, luxury, flapper, that were bundled in Paris. French fashion designers of the time were Paul Poiret, Coco Chanel, Elsa Schiaparelli, Jean Patou. Characteristic style elements in fashion were the Tubular silhouette and the Cloche hat, precious materials, strength of color and sensuality of the subject.
Auguste Racinet. The Costume History Hardcover – Illustrated, November 4, 2015
by Françoise Tétart-Vittu (Author)
Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style.
Paul Poiret. Elégante robe Rêve d’Or. Petit manteau Monavana.
Les Créations Parisiennes. La Mode est un Art. Haute Couture by PAUL POIRET 1930.
Madame X. Scandal of a portrait. Paris of the Belle Époque in 1884.
The portrait of Virginie Amélie Avegno Gautreau.
Madame X. or the exciting life in the Paris of the Belle Époque.
The Fabric of Civilization: How Textiles Made the World Paperback – December 7, 2021
by Virginia Postrel (Author)
From Neanderthal string to 3D knitting, an “expansive” global history that highlights “how textiles truly changed the world” (Wall Street Journal)
Another old custom gone. Jean Patou. Jeanne Hallée. Molyneux.
Another old custom gone. Art-Goût-Beauté. October 1923. Fashion by Jean Patou, Jeanne Hallée, Molyneux.
Literature
Couture: then and now Clothes define people. A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically.
Hat of Camille Roger. Gazette du bon ton, 1922.
La Jeune Locrienne. Chapeau de Camille Roger.
No 2 de la Gazette du Bon Ton. Anée 1922.
A few pretty novelties. Creations by Premet & Jean Patou. 1923.
A few pretty novelties. Premet has made a black velvet dress with an edging of paste diamond lace. Philippe et Gaston put large diamond squares on white Georgine crepe.
Vision of Elegance. Getting ready for Deauville. Juli 1923.
Getting ready for Deauville. The parsienne is already enjoying foretastes of the idyllic delights of country life.
Robe d’après-midi de Georges Dœuillet
Les Soeurs de Lait – Robe d’après-midi de Georges Dœuillet Related Posts:Robes Simples. Lanvin, Dœuillet, Chéruit.Two creations by Martial & Armand, Lucile Paray. January…The European Grand Prix at the Circuit… Read More
Agnès-Drecoll. Robe d’après-midi en crêpe de Chine noir.
Agnès-Drecoll. Related Posts:Créations de Couturiers Drecoll-Beer and Redfern, Paris…Drecoll Model of Moire Crepe Gilda. Paris Spring Season…Drecoll Model of Needlecord. Paris Spring Season 1913.
The European Grand Prix at the Circuit de Lyon 1924
Costumes by Georges Dœuillet, Jeanne Lanvin, Jean Patou, Premet,
The Fabric of Civilization: How Textiles Made the World Paperback – December 7, 2021
by Virginia Postrel (Author)
From Neanderthal string to 3D knitting, an “expansive” global history that highlights “how textiles truly changed the world” (Wall Street Journal)
