Netherlands 17th century. The coach. The hedge labyrinths. Types from the distinguished, bourgeois and mercantile world.
Female fashion. Second half of the reign of Louis XIV. The Capote, The Muff. The Fontange. The Baskine. The lace apron. The House Dresses.
Ladies of high standing in the transition from the 17th to the 18th century, after rare coloured copper engravings of that period. Female fashion of the baroque in the 17th and 18th century.
France 18th century. Costumes of the middle classes. Bourgeois women and their children. Rococo period.
Women with paniers. The origin of these skirts. The panier was in fashion until the last years of kingship. The bourgeois classes. The luxury dress of men consisted of the Justaucorps, waistcoat and the leg dresses.
The costumes depicted here belong to the second half of the reign of Louis XIV and the end of the 17th century. The first characteristic feature is the large headdress, called Fontange.
The fragments shown here are borrowed from a painting by Van der Maulen depicting the entry of Louis XIV and Maria Theresa into Arras after the beginning of the campaign in 1667. The Queen’s Marstall. The grand stable master. Ladies of honour. The Gardes du Corps. The king’s chariot.
The Italian fashion in France. The collars of the dresses. Metal and wooden corsets. Display of fine lingerie. The passementerie works and laces. The rules of etiquette. The expansion of ruffs.
Prince Rupert, Count Palatine of the Rhine and Duke of Bavaria, third son of Elizabeth, Queen of Bohemia, and Frederick V, Elector Palatine, was born at Prague in 1619. The Wilton portrait was therefore painted about the year 1636, shortly after his arrival at the Court of Charles I, by his old drawing-master William Honthorst.
Frances Stewart was one of the great beauties of the Jacobean court, she was also the patron of Captain John Smith of the Virginia Colony.