Italy. The fashion at the beginning of the XVI century. Female costumes. According to local traditions and social status. The balzo. Early Renaissance.
Costumes of Venice. The Venetian gondoliers. Nicolotti and Castellani. Dwarves and jesters, pages and messengers of love. Italian Medieval and Renaissance fashion history.
German Renaissance fashion of a noblewoman from the beginning of the 16th century, with a red beret, long dress with train over a white underdress of camelot and a partlet of red silk with black velvet.
Europe. XV. XVI. century. Festive costume. Ladies’ and men’s overcoats. Men’s and women’s hairstyle. End of 15th, beginning of the 16th century.
The dresses naturalized by the Italian fashion in France, which favored the display of fine canvas by the wide necklines of the bodices, were followed by a fashion that rose more and more to the neck and was closed at the end at the top completely. Around 1575, this fashion and at the same time the expansion of ruffs reached its peak, and it seems that their popularity spread especially in France.
Painting by Paolo Veronese. Venetian nobility at the second half of the 16th century. The ladies’ costumes belong to the period 1575-1585.
Art in England during the Elizabethan and Stuart Periods. Textiles and Embroidery by Aymer Vallance. CHAPTER V:-TEXTILES AND EMBROIDERY.
WILTON HOUSE stands upon the site of the old Abbey, which, with the surrounding estates, was granted by Henry VIII., soon after the dissolution of the monasteries in 1539, to William, first Earl of Pembroke. Wilton is famous for its landscaped park and magnificent interiors.
The early history of the Herbert family. William Herbert, 1st Earl of Pembroke. Full length, standing, in black-slashed doublet and trunk hose, with short cloak. Tudor era. Wilton House Pictures.
Iconographie générale et méthodique du costume du IVe au XIXe siècle.