Stephen Keene (about 1640-1719) was an English instrument maker. He made harpsichords, spinets and virginals in his workshop in London.
Three bronze shoes, the first worn on stage by the actress Miss Ada Cavendish. Ladies’ Dress Shoes of the Nineteenth Century.
Victorian Era. Shoemaker’s craft. The cordonnier artist (shoemaker, cobbler) has apparently considered his lines as carefully as the best of yacht builders.
Reception hall of Boughton-Malherbe, County of Kent at the time of Elisabeth 1573. English Renaissance. Tudor period.
Anne of Cleves (1515 – 1557) was the fourth wife of the English King Henry VIII and was therefore Queen of England from 6 January 1540 to 9 July 1540.
The Syon Cope.
A fine example of the ecclesiastical needlework for which England was noted in the thirteenth century; presented to the Duke of Northumberland by refugee nuns from Portugal, to whose convent it belonged, and whom he sheltered at Syon House during the Continental troubles of the early nineteenth century.
The Italian fashion in France. The collars of the dresses. Metal and wooden corsets. Display of fine lingerie. The passementerie works and laces. The rules of etiquette. The expansion of ruffs.
The figures are all taken from fashion journals. The period includes the last period of the convent, the rule of the board of directors and the beginning of the consulate.
The Royal House of Normandy. Regal heraldry; the armorial insignia of the Kings and Queens of England. William I, William II, Henry I, Stephen. Queen, Matilda
All the figures on this panel show the predominant influence of the English-French fashions of Louis XVI’s time. History of the costume in chronological development by Auguste Racinet.