A lace worked dress, in circular shape, furnished with a lace cape reaching to the top of the embroidery, of very fine point d’Alençon.
Ebony cabinet in the style of Louis Seize. Prize medal for great excellence of design and workmanship in decorative furniture 1862.
Man in striped suit with frock coat, flat hat, lace-up tie and checked waistcoat. The woman wears a voluminous dress, the waist figure accentuated, the skirt supported by a steel frame.
Early Victorian. 1840-1865. The crinoline of the mid-forties was probably the most concealing costume ever worn by women.
A lady in so called princess dress and waterfall hairstyle. The bearded gentleman is dressed in formal afternoon attire, wearing a cut-away coat, horseshoe stickpin, and boutonniere.
This man and woman on their way to church are dressed in a manner becoming the late Victorian aristocrats on a semiformal afternoon occasion.
Jack Rattenbury. The smugglers; picturesque chapters in the story of an ancient craft by Charles George Harper.
Three bronze shoes, the first worn on stage by the actress Miss Ada Cavendish. Ladies’ Dress Shoes of the Nineteenth Century.
Victorian Era. Shoemaker’s craft. The cordonnier artist (shoemaker, cobbler) has apparently considered his lines as carefully as the best of yacht builders.
Sidney Herbert, 1st Baron Herbert of Lea. This is probably the portrait painted in 1847, and exhibited at the Royal Academy the same year, the replica of which is now at Herbert House.