Sir Matthew Digby Wyatt (1820-1877) – Specimens of Turkish Embroidery – from the Industrial Arts of the Nineteenth Century (1851-1853).
Portion of a rich fermeli, or upper jacket, which was included in a complete suit of elaborate Palikar costume.
Polychromatic ornament by Auguste Racinet. THIS plate contains twenty-two examples of the ornamentation of hangings and stuffs, all of them remarkable for simplicity of design.
Japan embroidery. Fukusa. Border with silk and gold brocade executed in opus plumarium stitches. The ornamental arts of Japan by George Ashdown Audsley.
The Syon Cope.
A fine example of the ecclesiastical needlework for which England was noted in the thirteenth century; presented to the Duke of Northumberland by refugee nuns from Portugal, to whose convent it belonged, and whom he sheltered at Syon House during the Continental troubles of the early nineteenth century.
Art in England during the Elizabethan and Stuart Periods. Textiles and Embroidery by Aymer Vallance. CHAPTER V:-TEXTILES AND EMBROIDERY.
The “Pembroke” tapestry at V&A Museum, contains the armorial bearings of Sir William Herbert, 1st Earl of Pembroke in the style known as “grotesque”.
The beautiful elephant howdah, presented by His Highness the Nawab Nazim of Murshidabad to her Majesty the Queen of England.
THIS engraving shows the upper and lower portions of a vertical panel, supposed to have originally formed a pilaster or border to a piece of tapestry.
The treasury of ornamental art. Specimen embroidered satin. Manufactured at Kachchh (Cutch), Gujarat in India.