Gallic fabrics and embroideries.
Gaul Plate 8.
Gaul Plate 8.
IN one of the Cottonian manuscripts (Julius, E. IV.), a brief metrical chronicle of the kings of England, which has been attributed to John Lidgate (1), and which was composed soon after the 10th Hen. VI., is illustrated by a series of singular and bold drawings of the monarchs whose reigns it commemorates. Two of these figures are given on the accompanying plate, which were intended to represent Henry the First and King John. The costume of King John is rather remarkable, particularly the high clogs which he has on his feet.
EVERY step which we trace back in the history of the nations of Europe brings us nearer to a uniformity of costume. Fashions in dress did not begin to go through that quick vicissitude of change which characterizes modern times, till towards the thirteenth century. We can trace little variation in the dress of the Anglo-Saxons during the whole period of their history, and not much between that of the Anglo-Saxons and the Franks.
As people became more distinctly separated from each other by national jealousies, and long and obstinate wars, the new fashions adopted in one country were more slowly communicated to another, and thus the similarity of costume becomes separated by distance of date; while some countries became so entirely estranged from each other during a long period, that the resemblance of costume and the simultaneous variation was altogether lost.
by Mrs. Charles H. Ashdown.
St. Michael’s Mount (Cornish: An Garrel Los y ‘Cos) is a tidal island on the southwestern tip of England, which is 366 m before the village Marazion in Cornwall and has an area of 0.23 km².
Cavalier Normand en 1066. Gravure aquarellée vers 1880 d’après un dessin de Philippoteaux. Continue reading
Chevalier servi par son écuyer et ses pages.
From the book: Costumes civils et militaires des Français à travers les siècles. 1883. Author: Jean Baptiste Marie Augustin Challamel. Engraver: Meunier, Jean-Baptiste. Ouvrage couronné par l’Académie francaise.