ECCLESIASTICS OF THE TWELFTH CENTURY.
NO class of figures occurs so frequently in the illuminations of our earlier manuscripts, as those of ecclesiastics of different grades; and as the older illuminators were almost exclusively monks, we are justified in concluding that none are represented more accurately with regard to their costume and other characteristics.
First Time Sewing: The Absolute Beginner's Guide by Editors Of Creative Publishing
Filled with detailed descriptions of materials and tools, the easy step-by-step instructions for all the basic sewing techniques will have you creating projects like aprons, pillows, and even pants and shorts in no time.
Our plate contains some very good figures of prelates of the earlier half of the twelfth century. They are taken from a series of curious scriptural illustrations accompanying a copy of the early Anglo-Norman version of the Psalter, in MS. Cotton, Nero C. IV., in the British Museum. This manuscript was probably written about the middle of the twelfth century, possibly a little earlier. The bishops, who are in their full dress, are remarkable as representing specimens of the low formed mitre which was characteristic of the earlier pontifical costume.
These figures, besides affording good specimens of costume, are remarkable as embodying a little caustic satire on some of the ecclesiastics of the day. The particular illuminations from which they are taken compose a representation of the last judgment, in four large pages. The two inner pages represent the Deity with his apostles sitting in doom.
The first page of the four contains in the upper part a numerous group of heads of the different classes of mankind, from kings and queens to the lowest orders of the people, and beneath a separate group of whole-length figures of bishops and monks. Above is inscribed in Anglo-Norman, “These shall be at the right hand of God at the judgment.”
The three bishops on the right hand of our plate are taken from this page. On the fourth page is another group of heads, with whole-length figures of churchmen below, and the inscription, “These shall be at the left hand of the Lord God at the judgment.” This page furnished the two figures on the left hand side of our plate.
In drawing all these figures, the illuminator has shewn considerable skill in depicting the physiognomical characteristics. On the right hand of God, the faces of the kings, queens, and higher orders, are dignified and benign; and all have an air of conscious virtue. The bishops below are unshaven, with serious countenance, and bearing all the insignia of office, as being entirely absorbed in the discharge of their pontifical duties.
The monks in like manner are thin and sedate, shewing by their outward appearance that they kept rigidly the rules of their order. On the other page, at the left hand of the judgment-seat, the physiognomical character of the faces is entirely changed. The male heads, especially those which appear to belong to the lower orders, have features of a diabolical character; the faces of the kings and rulers are dark and gloomy; those of the queens are particularly effective, exhibiting a singular mixture of pride and voluptuousness.
The clergy below are fat and sleek, with voluptuous and gluttonous looks; and some of the ecclesiastical dignitaries, as in the two given in our plate, while they bear their rich garments as objects of pride and ostentation, are without the principal insignia of their office, because they neglected their duties, and are very fat, with their faces closely shaven.
From what we know from history of the manners of the clergy of the age to which these drawings belong, we can hardly avoid believing that the illuminator intended to depict some of the sleek worldly ecclesiastics of his time.
The handsome pastoral staff, of the twelfth century, of which the upper part is given on the preceding page, is preserved in the collection of Monsieur Duguay, at Paris. It is of copper gilt, and elegantly enameled.
Our initial letter, which affords a curious illustration of early armor, is taken from a foreign manuscript in the possession of the Hon. Robert Curzou, Junior. The Manuscript appears to have been written also about the twelfth century, or perhaps a little earlier.
Source: Dresses and Decorations of the Middle Ages by Henry Shaw F.S.A. London William Pickering 1843.
Byzantine, Medieval, Gothic, Burgundian, Renaisance fashion history
- The Barbarian Invasions. The Migration Period. (Historical Atlas)
- The Gallic and Gallo-Roman costume period. 3rd to 4th century
- Byzantine costume history. 5th to 6th century.
- Frankish Merovingian costume history. 4th and 5th century
- Carolingian Period 752-987. Reign of Charlemagne.
- The Carolingian Fashion Period 987 to 1270.
- Europe in the time of Charles the Great 768 – 814. (Maps, Places).
- The Corset and the Crinolin. Fashion history from Ancient until 19th century.
- 11th to 13th century. French fashion history.
- 11th to 13th century. German fashion history.
- 11th to 15th century. Caps and Hoods fashion.
- 13th century. French male fashion history.
- 14th century. German fashion history.
- 15th century. German male fashion history.
- 15th century. German female fashion history.
- 14th, 15th century. Italian fashion history.
- Eleanor of Aquitaine, Medieval Queen in the 12th century. Fashion history.
- Eleanor of Castile first wife of King Edward I. England 13th century
- Reigns of John and of Charles V. 1350 to 1380. (Medieval, Byzantine, Gothic)
- Reigns of Charles VI. and Charles VII. 1380 to 1461. (Medieval, Gothic, Burgundy)
- Headdresses of the 14th Century.
- Headdresses of the 15th century. The Hennin.
- Headdresses 15th century. The Reticulated Headdress.
- The Influence of the Crusaders to the French clothing. 13th to 14th century.
- The Knights Hospitallers. The First Crusade. 11th century.
- The Knights of the Teutonic Order of Knighthood. History of German Crusaders 12th century.
- The Crusades. The Knights Templar. Medieval military religious order. 12th century.
- Syria during the period of the crusades. Maps, Names, Places. Historical Atlas.
- Life-size warrior figures in full armor and equipment. Greek, Roman, Gallic, Merovingian, Carolingian.
- Armor in England from the 10th to the 18th century
- The Rise of Monachism. Monastic costumes history.
- The Romance of the Rose. The Art of courtly love.
- The Lady of Tournament delivering the Price.
- On the history of costumes. From Ancient until the 19th century.
A valuable sourcebook for costume designers, dressmakers and those involved in historical reenactments, this book contains all the information you need to create authentic clothes from the Tudor period.