Man costume by Humann House, Paris. La Mode 1837.

Romantic era costumes. Restoration fashion. Biedermeier dresses

La Mode 1837.

Man costume by Humann House, Paris. La Mode 1837.

Chapeaux en paille d’Italie avec plumes pleureurs de chez Lemonnier. Châle en tulle filet de chez Mme Lasalle no 54 Passage des Paneramas. Redingote en batiste éorue de chez Delisle 13, rue de Grammont. Costumes d’Homme de chez Maison Humann, à Paris, 83, rue Neuve-des-Petits- Champs.

La Mode 1837. Journal et gravures des mode. Bibliography of costume. Romantic Era, Restoration period.

Associated to:

  1. The Second Republic. 1848 to 1851. Victorian era. “Second Rococo”.
  2. Fashion in the Reign of Philippe. 1830 to 1848. Romanticism. Early Victorian era. Biedermeier
  3. Reigns of Louis XVIII. and Charles X. 1815 to 1830. The Restoration period. Biedermeier.
  4. Reign of Napoleon I. 1804 to 1814. First Empire, Regency period.
  5. Comparison of the French and English modes. The Regency fashion period 1808-1815.
  6. Fashion History France. On the history of costumes. Archives of French fashion
Note:  Werther and Charlotte. Goethe, The Sorrows of Young Werther (1774).

Support and Seduction: The History of Corsets and Bras (Abradale Books) by Beatrice Fontanel.

Thoughout the ages, women's breasts have been subjected to the endless whims of fashion.

From the ancient Greeks to Mae West and Madonna, this light-hearted book charts the changing shapes of female beauty. The elegant and amusing images - including fashion drawings, paintings, photographs, and film stills - illustrate the often surprising history of the garments women have worn for support - and seduction.


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The Fabric of Civilization: How Textiles Made the World Paperback – December 7, 2021
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Literature

Couture: then and now Clothes define people. A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically.