Robes en Faille et Panécla. Le style parisien.

Robes Tissus de Rodier. Style Parisien. Art deco fashion. Gibson girls costumes

Modèles du Style Parisien d’après les Tissus de Rodier.

Robes en Faille et Panécla.

Modéles du “Style Parisian” d’après le Tissus de Rodier. Le style parisien 1915.

  • Dress in old blue pekiné corded silk (Rodier No 05939) trimmed with cross way band of panécla * to match: pane of vegetable silk, (Rodier No 05965) collar and sleeves of white lace.
  • Dress in bronze colored panécla *; a pane of soft shiny vegetable silk (Rodier No 05965) trimmed with thick old gold silk twist, narrow edge to match passing below the bottom of skirt. Collar in ivory pane lined and bordered with sable.
  • Dress in panécla; vegetable silk pane soft and shiny (Rodier No 06026).
  • Panama binding and tissue Panécla: Velvet, the pile is made of silk; usually embroidered with colorful silk yarns.

Gallery: Le style parisien 1915. Plate III. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Fin de siècle era, Art Nouveau, Art deco, Flapper, Gibson girls, Roaring Twenties.

  1. Les Creations Parisiennes. La mode est un art.
  2. Le style parisien. Les elegances parisiennes 1915. by Lucien Vogel. (Art Nouveau. Fin de siècle, Belle Époque era.)
  3. Les Robes de Paul Poiret racontée par Paul Iribe, Paris 1908.
  4. Paris Fashion Designers in 1916.
  5. Supplément du ” Style Parisian ” No 3. Les elegances parisiennes 1915.
  6. Lotte Pritzel. Dolls for the showcase 1911.
  7. Les Chapeaux du Très Parisien Vol. 1., by G.P. Joumard. First edition 1921. (Flapper, Gatsby, Art deco era.)
  8. Les Chapeaux du Très Parisien Vol. 2,.G.P. Joumard. Second edition 1922.
  9. Les créations parisiennes. La mode est un art. Published 1929. (Flapper, Gatsby, Art deco era.)
  10. STYL 1922-1924. German Fashion Magazine. (Berlin Roaring twenties. Flappers, Art deco era.)

Samson and Delilah Revisited: The Politics of Women’s Fashion in 1920s France by MARY LOUISE ROBERTS. (PDF)

Note:  Jeanne Paquin Model of Crepe Chinois. Paris Spring Season 1913.

Support and Seduction: The History of Corsets and Bras (Abradale Books) by Beatrice Fontanel.

Thoughout the ages, women's breasts have been subjected to the endless whims of fashion. From the ancient Greeks to Mae West and Madonna, this light-hearted book charts the changing shapes of female beauty. The elegant and amusing images - including fashion drawings, paintings, photographs, and film stills - illustrate the often surprising history of the garments women have worn for support - and seduction.

0 0 votes
Article Rating
Notify of
Inline Feedbacks
View all comments


Couture: then and now Clothes define people. A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically.