Men resting their camels and smoking by the approach to Mount Sinai. This View is taken from the Encampment at Wady Barah of the Artist and his party.
Tag: Topography
Travelers at the wells of Moses, or Eyun Musa
Travelers at the wells of Moses, or Eyun Musa, on the eastern side of the Gulf of Suez.
Convent of St. Catherine with Mount Horeb, Egypt.
The convent of St. Catherine. “The front of Mount Horeb rose like a wall before us, and one can approach quite to the foot, and touch the Mount.”
The convent of St. Catherine Mount Sinai looking towards
The Artist has taken the Sketch about due South of the Convent, looking upon the track which he pursued from the presumed Plain of the Israelite Encampment.
Ascent to the summit of Mount Sinai.
Journey to Mount Sinai. The path to the summit of Mount Sinai leads through a gorge in the southwest. One of the Monks of the Convent stationed himself there in prayer.
Ascent of the lower range of Mount Sinai, 1839.
This Sketch gives a portion of the Israelite march to Sinai. The foot of the Pass before us, called by the Arabs Nukb Hâwy (Windy Pass).
The Christian and Mohammedan Chapels on Mount Sinai, 1839.
Those Chapels are placed on what is traditionally regarded as the summit of Sinai.
The port city of Damietta as the Venice of Egypt.
Damietta is frequently called the “Venice of Egypt,” and like the real Venice her glories, from a commercial point of view, have departed.
Egypt. The river Nile, with the Pyramids of Ghizeh in the distance.
The Nile is the only river of Egypt, and is called by way of pre-eminence the River.
The Rock of Moses in Wady-El-Leja valley, west of Mount Sinai.
The “Rock of Moses” is, from its size, a remarkable object: it rests isolated where it has fallen from the eastern Mountain above