The plate represents a country maccaronara; for so are called those public houses where nothing but macaroni is sold; and no village is without them. The Neapolitan macaroni is easily known by not being twisted like that of Genoa, but straight, or bent only at one end.
Category: 19th Century
Embroidered Fukusa. Japan ornamental arts. Silk and gold brocade.
Japan embroidery. Fukusa. Border with silk and gold brocade executed in opus plumarium stitches. The ornamental arts of Japan by George Ashdown Audsley.
The lady Franklin Cape. Hawaiian Feather Cape. Feather Art.
Hawaiian Feather Work of the Polynesian natives of the Hawaiian Islands. Memoirs of the Bernice Pauahi Bishop Museum.
The Fabric of Civilization: How Textiles Made the World Paperback – December 7, 2021
by Virginia Postrel (Author)
From Neanderthal string to 3D knitting, an “expansive” global history that highlights “how textiles truly changed the world” (Wall Street Journal)
Japan. Ornamental arts. Rich Fabrics for obi or girdle. 19th century.
The fabrics here illustrated show two styles of artistic treatment; the ground of one being uniformly purple-black, produced by the silk warp ; while the ground of the other is in bands of different colours, produced, with the exception of those in black, by the silk threads of the woof
Portrait of MME or a Lady 4 from the painting by Giovanni Boldini.
Belle Époque. Portrait of a Lady by Giovanni Boldini at l’Exposition universelle de Paris, 1889.
Victorian Era. Three fine specimens of the modern shoemaker’s craft.
Victorian Era. Shoemaker’s craft. The cordonnier artist (shoemaker, cobbler) has apparently considered his lines as carefully as the best of yacht builders.
The Ahuula, a Hawaiian feather cloak. The Steen Bille Cape.
The ʻahuʻula is a feather coat reserved for the elite of the Hawaiian archipelago. It was traditionally worn with the mahiole, a feathered cap.
Berbers of Algerian Sahara. Nomadic and sedentary ethnic groups.
The majority of the population of the Sahara consists of Berbers. Her clothing is extraordinarily rich. They obtain their silk fabrics through the mediation of the caravans
Russia. Specimens of Headdress of the women of the people.
These bonnet and cap-like headpieces all originate from Old Russia and are peculiar to the Russian slaves. The specimens shown here come from the governorates of Novgorod, Kaluga, Tver and Kursk.
Scandinavian costumes from Sweden, Iceland and Lapland.
Young girl from Reykjavik, Island in festive dress. Farmer and girl in Sunday state from Dalarna County, Sweden. Young woman in summer costume from the Swedish province of Bleking. Family in Sunday state from the Parish of Leksand, Dalarna, Sweden. Winter coat of sheepskin from the Swedish Sudermanland.