Costume design for Siegfried in The Ring Cycle 1879.
Hans Thoma costume designs for the opera The Ring of the Nibelung. Opera by Richard Wagner.
Wilder son of the Wälsungen* Sieglinde and Siegmund and thus the grandson of Wotan. Forging the sword Notung new, kills Fafner* and mime, wins the Nibelung treasure awakened Brünnhilde and takes her as his wife.
* The Wälsungen (also Wölsungen, Welsungen, Völsungar) are a legendary Germanic race, named after their ancestor. This will be for the first time in the Old English epic Beowulf (at least the 10th century, perhaps earlier), called as Wael. * Fafner is, according to the Icelandic Völsungasaga the son of the Dwarf King Hreidmar. By using a powerful weapon and his fearless mind he guards the adorned with gems and shiny gold house of his father. He later turns out greed into a dragon. Siegfried kills him and thus win the treasure of the Niebelungen.
Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style. Originally published in France between 1876 and 1888, Auguste Racinet’s Le Costume historique was in its day the most wide-ranging and incisive study of clothing ever attempted.
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FASHIONPEDIA is a visual fashion dictionary covering all the technical terms from style to material to production with illustrations and infographics. It encompasses rich, extensive information and yet is easy to read. Whether you are an industry insider or a fashion connoisseur, FASHIONPEDIA is all you will ever need to navigate the fashion scene.
The Textile Manual is an encyclopaedia of textile information, from material to yarn, from fabric structure to the finishing process. Encompassing practical tips for a range of textiles and detailed visuals, this ultra-accessible manual is the perfect companion for fashion aficionados and aspiring fashion designers.
Couture: then and now Clothes define people. A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically.