Noble anglaise.
Tag Archives: Surcoat
14th century clothing in Italy. Second half of the XIV century.
14th century clothing in Italy.
14th century clothing in Italy. Second half of the XIV century.
Middle ages Burgundian fashion (Hennin, Escoffion, Surcoat, Cotehardie, Cotta).
Upper half of the picture: Admiral of Venice and noble squire. Neapolitan knight. Italian soldiers.
Lower half of the picture: Young Italian. Distinguished Italian woman. Woman of Siena. Young man. Senator of Rome. Noble Venetian.
“On the history of costumes”. Munich pictures sheets. Published by Braun & Schneider, Munich c.1858 -1898s.
14th century clothing of German nobility.
14th century clothing of German nobility
14th century clothing of German nobility
Late middle ages German gothic costumes (Surcoat, Cotta, Poulines, Cotehardie).
Upper half of the picture: German Lord and knight. German noblewoman and Duchess.
Lower half of the picture: German knight and damsel. German patricians.
“On the history of costumes”. Munich pictures sheets. Published by Braun & Schneider, Munich c.1858 -1898s.
14th century clothing of German and English nobility
Costume Burgundian nobleman15th century.
Burgundy nobleman
Costume Burgundian nobleman, 1450.
Burgundian nobleman in the 15th century. Medieval fashion. The main feature is the sleeveless Surcoat over a loose shirt. As headgear he wears a flat beret. On the legs tight stockings, knee high boots and riding spurs. Late Gothic period.
Court Dress Germany in 1450. Burgundian fashion 15th century
Court Dress, Germany 1450
Court Dress, Germany 1450, Burgundian fashion 15th century.
Fashion of nobility in 1450 in Germany of the late Middle Ages. The woman with a high Hennin and veil. The over robe (Surkot) is made of heavy damask, gold interwoven, with train, the hem of the dress is decorated with ornaments. The sleeves lengthwise slit. She wears a belt and pointed shoes. The emphasis on fashion, the cut of the clothes (Cotte and Muodor), cleavage is, in contrast to the medieval fashion is very physical, in the prominence of the female figure.
The man is wearing a skirt girded (Schecke, front opening dress), with high collar. The shoulders are padded. At the collar bells attached. The sleeves are short, stands out among the wide linen shirt. It is in the style of the Mi-parti held, a specialty of the Burgundian fashion. It was the garment consists of two halves influenced both by different colors of the color complex symbolism of the Middle Ages, or even by different types of interface. For instance, a long sleeve, the other short, as in this picture, where the left sleeve is ripped up and the linen shirt, with wide-cut sleeves, stands out. He wears a two-colored leggings, which are attached by cords to the skirt. With one leg up over the knee extends, the other end already under her skirt. He wears his hair long with a diadem adorned with a feather.
Medieval knight in armor. 12th century Germany.
Knight in armor
Medieval knight in armor. 12th century Germany. Gothic period dress.
On the armor or corslet he wears a surcoat. Hauberk, boiler cap, leg braces, knee tile, almond-shaped shield. The shield is attached to the ankle over the left shoulder. The horse is protected with a harness made of leather. After a miniature in a psalter from the time of Louis the Fat (1108-1137)