Jeune elegant en habit moucheté avec une veste blanche garnie de bandes d’indiene et coeffé d’un chapeau à la Suisse et une queue a l’Angloise. 1778.
Man in tailcoat à la Anglaise. Galerie des Modes et Costumes Français.
Category: Europe
Fashions in Europe. European Costume and Cultural History.
Glass painting in grisaille technique in the Middle Ages.
Glass painting of church windows with grisaille window roses. Painting on glass attained its highest excellence in the thirteenth century.
Portrait of MME or a Lady 4 from the painting by Giovanni Boldini.
Belle Époque. Portrait of a Lady by Giovanni Boldini at l’Exposition universelle de Paris, 1889.
The hoop skirt and its development within the history of costumes.
The hoop skirt in the age of the Spanish fashion (Renaissance) 16th century, in the age of rococo (Baroque), 18th century, crinoline fashion, 19th century.
The bourgeoisie and the lower classes under Louis XV.
France Rococo 18th century. The Casaquin, pet-en-l’air or Caraco. Costumes of the nobility. The bourgeoisie and the lower classes under Louis XV. Historical figures and fashion types.
Female fashions in the 14th, 15th and 16th centuries. Italian Renaissance.
Renaissance. Italian and Dutch types. Female fashions in the 14th, 15th and 16th centuries. The coloring of the hair in Venice.
Victorian Era. Three fine specimens of the modern shoemaker’s craft.
Victorian Era. Shoemaker’s craft. The cordonnier artist (shoemaker, cobbler) has apparently considered his lines as carefully as the best of yacht builders.
Shoe fashion with high heels and rococo costumes. 18th century.
Female costumes from the 2nd half of the 18th century.
Fashion of wigs and hats. French styles of the 18th century.
French styles of the Baroque and Rococo in the 18th century. Wigs and hats. Principles of the French-Italian Riding School. The most popular colours for horses.
Robe à la Chinoise retroussée. Galerie des Modes et Costumes Français.
La Nymphe galante dont le port est majestueux, noble et fier, courant avec tranquilité, au Palais Royal, les hazards auxquels sont exposées les personnes de son sexe; elle a un bonnet à la Richard, corset rayé, d’une robe à la Chinoise, retroussée.