Chiffonet of white crape. Evening Dresses. The Gallery of Fashion 1796.

Chiffonet, crape, Heideloff, Jane Austen, Regency, Neoclassical, Gallery, Fashion, Costumes,
Evening dresses, April 1796.

The Gallery of Fashion April 1796. England Evening Dresses.


Turban of white satin; bandeau embroidered in silver; diamond pin, and black velvet loop, trimmed with diamonds in the front; the hair intermixed with the turban; the hind hair turned up plain and short; three white ostrich feathers placed in the front.

White satin petticoat, the bottom embroidered in gold; short petticoat of white crape, the bottom of it also embroidered in gold. Body of purple velvet, buttoned in the front with one large and two small diamonds; diamond clasp upon the shoulder.

White crape full sleeves with puckered cuffs, bound with gold; upper bracelets and girdle of black velvet, set with diamonds. Diamond necklace and ear-rings. White and gold shoes.


Chiffonet of white crape with gold spangles; the hair combed straight round the face; the hind hair turned up plain and short, the ends in ringlets, intermixed with the chiffonet; broad gold slider. Gold bandeau. Long string of pearls with a large tassel, crossed upon the chiffonet. Two white ostrich feathers.

Petticoat of white lawn richly embroidered at the bottom. Body of rose-coloured satin, tied upon the shoulder with a white satin riband with silver spangles. White satin long sleeves, trimmed with blonde, and a small gold chain and button; short full upper sleeves of lawn spangled in silver, crossed and fastened also with a large gold chain and button. Large gold chain round the waist. Gold ear-rings and gold festoon necklace. White shoes crossed with gold.

Source: The Gallery of Fashion Vol. 3. April 1796 To March 1797.  Published by Nikolaus von Heideloff, London. 

Note:  Canezou de Velours. Robe de Perkale. Chapeau de Lévantine.


Support and Seduction: The History of Corsets and Bras (Abradale Books) by Beatrice Fontanel.

Thoughout the ages, women's breasts have been subjected to the endless whims of fashion.

From the ancient Greeks to Mae West and Madonna, this light-hearted book charts the changing shapes of female beauty. The elegant and amusing images - including fashion drawings, paintings, photographs, and film stills - illustrate the often surprising history of the garments women have worn for support - and seduction.

The Age of Undress by Amelia Rauser.

Dress in the Age of Jane Austen by Hilary Davidson.

Jane Austen at Home by Lucy Worsley 

Leave a Reply

The American Duchess Guide to 18th Century Beauty: 40 Projects for Period-Accurate Hairstyles, Makeup and Accessories by Lauren Stowell & Abby Cox.

Seventeenth and Eighteenth-Century Fashion in Detail by Avril Hart & Susan North. From cut and construction to fabric and trimmings.

The Fabric of Civilization: How Textiles Made the World Paperback – December 7, 2021
by Virginia Postrel (Author)

From Neanderthal string to 3D knitting, an “expansive” global history that highlights “how textiles truly changed the world” (Wall Street Journal)

The Age of Undress by Amelia Rauser.

Dress in the Age of Jane Austen by Hilary Davidson.

Jane Austen at Home by Lucy Worsley 


Couture: then and now Clothes define people. A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically.