Court Dress July 1795.
FIG. LIX.
The hair dressed in light curls. Bandeau of silver crape, intermixed with the hair, crossed with silver laurels, and ornamented with diamonds. One lilac-coloured, and three white ostrich feathers, placed differently in the bandeau.
Petticoat of crape, embroidered in silver, trimmed with wreaths of laurels and festoons of lilac taffeta, in Vandyke scollops; double flounce at the bottom, with a silver fringe. Train and body of lilac crape; short sleeves à I’Espagnole, trimmed with blonde and pearls, and tied in two parts with a silver band. Full plaiting of blonde round the neck. Laurel tippet. Silver girdle. Festoon diamond necklace. Diamond ear-rings. Lappets of plaited blonde. White shoes embroidered in silver.
Source: The Gallery of Fashion Vol. 2. April 1795 To March 1796. Published by Nikolaus von Heideloff, London.
Support and Seduction: The History of Corsets and Bras (Abradale Books) by Beatrice Fontanel.
Thoughout the ages, women's breasts have been subjected to the endless whims of fashion.
From the ancient Greeks to Mae West and Madonna, this light-hearted book charts the changing shapes of female beauty. The elegant and amusing images - including fashion drawings, paintings, photographs, and film stills - illustrate the often surprising history of the garments women have worn for support - and seduction.