The Age of Undress by Amelia Rauser.
Dress in the Age of Jane Austen by Hilary Davidson.
Jane Austen at Home by Lucy Worsley
The Gallery of Fashion May 1796. England evening dresses for the opera.
The hair combed plain round the face; two white bands mixed with the curls of the toupee; the curls dressed very tight and smooth, the hind hair turned up short and plain. Small yeoman hat of blue satin, lined with white, and a gold band round the crown; two white ostrich feathers on the left side near the front, fixed with a gold pin, the head representing the Prince’s crest. Round gown of embroidered muslin, trimmed round the neck with lace; short sleeves in half plaits, with white satin épaulettes and cuffs. Pearl necklace and gold ear-rings.
The hair combed straight round the face; the hind hair turned up in three short loops, returned in ringlets, and crossed with two gold bands. Diamond bandeau and diamond pin on the right side; and on the left a wreath of green leaves intermixed with the hair; two white ostrich feathers in the front. Petticoat of light blue tiffany; body of the same, with short sleeves trimmed with lace. Plaiting of broad lace round the neck. Upper petticoat of white crape, spotted with white satin in chenilles; robe of the same; spotted in the same manner; the whole Vandyke scalloped. Diamond ear-rings, girdle, and clasps. Pearl necklace. White gloves and shoes, richly embroidered in silver.
The hair combed plain round the face. Chiffonet of silver muslin, the end trimmed with a silver fringe; the hind hair turned up in two loops; silver bandeau on the left side, and on the right a wreath of honeysuckle silver flowers. Three party-coloured green and white ostrich feathers in the front. Petticoat of white tiffany with a rich embroidered border ; white satin body, embroidered in silver round the neck. Robe of salmon-coloured tiffany; short sleeves; épaulettes, cuffs, and binding of green satin. Full plaiting of broad blonde round the neck. Silk cord and tassels round the waist. Diamond ear-rings. White gloves and shoes.
Source: The Gallery of Fashion Vol. 3. April 1796 To March 1797. Published by Nikolaus von Heideloff, London.
Support and Seduction: The History of Corsets and Bras (Abradale Books) by Beatrice Fontanel.
Thoughout the ages, women's breasts have been subjected to the endless whims of fashion. From the ancient Greeks to Mae West and Madonna, this light-hearted book charts the changing shapes of female beauty. The elegant and amusing images - including fashion drawings, paintings, photographs, and film stills - illustrate the often surprising history of the garments women have worn for support - and seduction.