Costumes of Venice. The Venetian gondoliers. Nicolotti and Castellani. Dwarves and jesters, pages and messengers of love. Italian Medieval and Renaissance fashion history.
German Renaissance fashion of a noblewoman from the beginning of the 16th century, with a red beret, long dress with train over a white underdress of camelot and a partlet of red silk with black velvet.
Europe. XV. XVI. century. Festive costume. Ladies’ and men’s overcoats. Men’s and women’s hairstyle. End of 15th, beginning of the 16th century.
The Italian fashion in France. The collars of the dresses. Metal and wooden corsets. Display of fine lingerie. The passementerie works and laces. The rules of etiquette. The expansion of ruffs.
Painting by Paolo Veronese. Venetian nobility at the second half of the 16th century. The ladies’ costumes belong to the period 1575-1585.
Art in England during the Elizabethan and Stuart Periods. Textiles and Embroidery by Aymer Vallance. CHAPTER V:-TEXTILES AND EMBROIDERY.
WILTON HOUSE stands upon the site of the old Abbey, which, with the surrounding estates, was granted by Henry VIII., soon after the dissolution of the monasteries in 1539, to William, first Earl of Pembroke. Wilton is famous for its landscaped park and magnificent interiors.
The early history of the Herbert family. William Herbert, 1st Earl of Pembroke. Full length, standing, in black-slashed doublet and trunk hose, with short cloak. Tudor era. Wilton House Pictures.
Iconographie générale et méthodique du costume du IVe au XIXe siècle.
The “Pembroke” tapestry at V&A Museum, contains the armorial bearings of Sir William Herbert, 1st Earl of Pembroke in the style known as “grotesque”.