The grandeur of the ruins of Baalbek can best be appreciated by the large drawings in this Work of the eastern portico of the temple
Category: Middle East
Hunting scene of Sassanian Fabrics of the Middle Ages.
During the reign of the Sassanids, who ruled the Neo-Persian Empire from 250-650 AD and were distinguished by their love of luxury, the arts, especially those of weaving, reached a high level of perfection.
The Gonfanon, or Amorial Ensigns of Jerusalem.
Exhibited in the vignette, were appointed by the chiefs of the first Crusade, after the capture of the city on July 15th, 1099, to be borne by the Christian king then elected.
General representation of the Site of Petra, Jordan.
This Engraving gives a general representation of the area which opens to the spectator on emerging from the “Chasm” by which he enters on the East.
The Entrance to the Church of the Holy Sepulchre at Jerusalem.
This Vignette represents the facade of the Church of the Holy Sepulchre, which is built over the spot where our Lord was presumed to have been buried.
An Ancient Egyptian Temple, on Gebel Garabe. Sinai, Egypt.
A view of the ancient Egyptian Temple of Hathor at Gebel Garabe, usually known as Serabit el-Khadim, in the Sinai, Egypt.
Mount Hor, from the cliffs encircling the ancient city of Petra.
The view was magnificent, commanding El Ghor and the Wady Arabah, while above him towered the naked majesty of Mount Hor.
View of Petra from the top of the Nabataean Theatre.
One which most directly meets the eye on entering the City of Petra from the eastward, is the Theatre.
The Citadel of Jerusalem and the Tower of David.
The citadel of Jerusalem, with the Tower of David, lies on the north-western part of Sion, to the south of the Jaffa Gate.
The Necropolis of Petra. The tombs of the chief Cemetery.
In the valley which conducts to Petra, and which lies outside the “Chasm,” is the chief Cemetery.