Robes en Faille Brochée de Velours.

Robes en Faille Brochée de Velours. Le style parisien. Art deco fashion magazine. French parisiennes collection haute couture.

Robes en Faille Brochée de Velours.

Robes en Faille Brochée de Velours. Le style parisien 1915. Plate VIII.

Modèles ” du Style Parisien ” d’après les Tissus de Coudurier, Fructus et Descher.

  • Dress in black corded silk trimmed with corded silk broché with large squares of black velvet ( Coudurier No. 1464, see Pl. XXV, No. 2, the same material in white corded silk broché in turquoise copied from a dress of the Empress Eugénie`s).
  • Dress in rayé Directoire; black corded silk with stripes of gold velvet (Coudurier No. 1498). Corselet and bands on the skirt of plain black corded silk. Guimpe in shaded chiffon.
  • Dress in corded silk broché with large velvet flowers (Coudurier No. 10410. Pl. XXV, No.5). cut low 1830 style, white tulle gimp; large satin bow to match at the back.

Gallery: Le style parisien. Planche VIII. Supplément du ” Style Parisian ” No 3. Le Directeur – Gérant: Lucien Vogel.

Note:  Belle Epoque Evening Dresses 1916. Modèls du style Parisian.

Support and Seduction: The History of Corsets and Bras (Abradale Books) by Beatrice Fontanel.

Thoughout the ages, women's breasts have been subjected to the endless whims of fashion. From the ancient Greeks to Mae West and Madonna, this light-hearted book charts the changing shapes of female beauty. The elegant and amusing images - including fashion drawings, paintings, photographs, and film stills - illustrate the often surprising history of the garments women have worn for support - and seduction.


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Couture: then and now Clothes define people. A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically.