William Longespée, 1st Earl of Salisbury (1167-1226, also William I Longespée or Lungespée).
MUCH of romantic interest is attached to the name of Longuespee. The first of the name, who is represented in our plate, was the son of King Henry II. by his celebrated mistress, Fair Rosamond.
His wife Ela, was also a heroine of romance. She was the sole heiress of the powerful family of the D’Evereux, earls of Salisbury; and it is said that, having been concealed in Normandy, she was discovered by a valiant English knight named Talbot, who found access to her in the guise of a minstrel, and, succeeding in carrying her away, presented her to King Richard at London.
The English monarch gave her in marriage to his chivalrous kinsman, William Longespée, on whom he also conferred in her right the estates and title of Earl of Salisbury. William Longuespee was actively engaged in the baronial wars in the reign of King John, of whom he was a devoted partizan.
Early in the reign of Henry III. this nobleman accompanied the Earl of Chester to the Holy Land, and was present at the battle of Damietta, in which the Christians were defeated by the Saracens. He afterwards was engaged in the Gascon wars. In his return to his native land an incident is said to have occurred which affords a remarkable illustration of the manners of that superstitious age.
“There arose so great a tempest at sea, that, despairing of life, he threw his money and rich apparel overboard. But when all hopes were passed, they discerned a mighty taper of wax, burning bright at the prow of the ship, and a beautiful woman standing by it, who preserved it from wind and rain, so that it gave a clear and bright lustre.
Upon sight of which heavenly vision, both himself and the mariners concluded of their future security: but every one there being ignorant what this vision might portend, except the earl: he, however, attributed it to the benignity of the Blessed Virgin, by reason that upon the day when he was honoured with the girdle of knighthood, he brought a taper to her altar, to be lighted every day at mass, when the canonical hours used to be sung, and to the intent that for this terrestrial light he might enjoy that which is eternal.”
William Longuespee died in 1226, not long after his return from the Gascon wars. During his wanderings, the Countess Ela, like another Penelope, was persecuted by the advances of a suitor—no less a person than Hugh de Burgh, who was afterwards accused by some of having poisoned her husband. After the Earl’s death, Ela retired to the abbey of Lacock, which she had founded, and became abbess of that house, in which one of her daughters also was a nun.
The first William Longuespee was buried in the Lady Chapel in Salisbury Cathedral, whence his tomb with his remains was removed about the year 1790, to the place they now occupy in the nave of the church. His effigy is a remarkably fine specimen of early sculpture. The colouring is very much obliterated on the more prominent parts, but a sufficient quantity of each pattern, or device, may still be traced to serve as authorities for a representation of it in its original state.
The cut at the foot (above) of the preceding page represents Cimabue the painter, and is taken from a painting by himself. Cimabue is regarded as the reviver of painting among the moderns. He was a Florentine, born of a noble family in 1240, and died ca. 1302. He is said to have learnt his art of two Greek painters, invited to Florence by the senate to paint one of the chapels of the church of Santa Maria Novella.
Our initial letter is from MS. Arundel, No. 91. The cut below is from an illuminated MS. of the Apocalypse (13th cent.) in the Bibl. du Roi at Paris.
Source: Dresses and Decorations of the Middle Ages by Henry Shaw F.S.A. London William Pickering 1843.
Byzantine, Medieval, Gothic, Burgundian, Renaisance fashion history
- The Barbarian Invasions. The Migration Period. (Historical Atlas)
- The Gallic and Gallo-Roman costume period. 3rd to 4th century
- Byzantine costume history. 5th to 6th century.
- Frankish Merovingian costume history. 4th and 5th century
- Carolingian Period 752-987. Reign of Charlemagne.
- The Carolingian Fashion Period 987 to 1270.
- Europe in the time of Charles the Great 768 – 814. (Maps, Places).
- The Corset and the Crinolin. Fashion history from Ancient until 19th century.
- 11th to 13th century. French fashion history.
- 11th to 13th century. German fashion history.
- 11th to 15th century. Caps and Hoods fashion.
- 13th century. French male fashion history.
- 14th century. German fashion history.
- 15th century. German male fashion history.
- 15th century. German female fashion history.
- 14th, 15th century. Italian fashion history.
- Eleanor of Aquitaine, Medieval Queen in the 12th century. Fashion history.
- Eleanor of Castile first wife of King Edward I. England 13th century
- Reigns of John and of Charles V. 1350 to 1380. (Medieval, Byzantine, Gothic)
- Reigns of Charles VI. and Charles VII. 1380 to 1461. (Medieval, Gothic, Burgundy)
- Headdresses of the 14th Century.
- Headdresses of the 15th century. The Hennin.
- Headdresses 15th century. The Reticulated Headdress.
- The Influence of the Crusaders to the French clothing. 13th to 14th century.
- The Knights Hospitallers. The First Crusade. 11th century.
- The Knights of the Teutonic Order of Knighthood. History of German Crusaders 12th century.
- The Crusades. The Knights Templar. Medieval military religious order. 12th century.
- Syria during the period of the crusades. Maps, Names, Places. Historical Atlas.
- Life-size warrior figures in full armor and equipment. Greek, Roman, Gallic, Merovingian, Carolingian.
- Armor in England from the 10th to the 18th century
- The Rise of Monachism. Monastic costumes history.
- The Romance of the Rose. The Art of courtly love.
- The Lady of Tournament delivering the Price.
- On the history of costumes. From Ancient until the 19th century.