Tag Archives: Hennin

Medieval Flanders costumes. 15th century.

Medieval Flanders costumes. Israel van Meckeln. Gothic fashion period.

Flanders 15th Century.

Medieval Flanders costumes. 15th century.

15th century burgundy fashion. Gothic period. Nobel women with hennin.  After Israel van Meckeln.

From the book: Les arts somptuaires: Histoire du costume et de l’ameublement et des arts et industries qui s’y rattachent. Paris: Hangard-Maugé, 1858. Author: Charles Louandre (1812-1882).

French Burgundy. The ladies travel to see.

French Middle ages fashion. Burgundy gothic costumes. Ladies with Henin

The ladies travel to see.

The ladies travel to see. French Burgundy gothic costumes 15th century. 

Les dames marinières. From the book: Les arts somptuaires: Histoire du costume et de l’ameublement et des arts et industries qui s’y rattachent. Paris: Hangard-Maugé, 1858. Author: Charles Louandre (1812-1882). Lithographer: Martin Thurwanger. Artist: Claudius Joseph, (1822-1887).

Headdresses 15th century. The Reticulated Headdress.

Gothic Medieval costumes 15th century. Fashion Burgundy court dresses. Hennin. Headdresses

Plate XXII. Isabelle of Portugal 1428-1496 Queen of Castile and Philippe le Bon 1396-1467 Duke of Burgundy.

Headdresses 15th century. The Reticulated Headdress (Latin, Reticulum = a net).

At the hall door take off thy hood and gloves. Observe in Curtseie to take A rule of decent kind, Bend not thy body too far forth, Nor backe thy leg behind.

Curtesy came from Heaven when Gabriel greeted Our Lady. All virtues are included in it.

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Courtly fantasy scene by Mary Young Hunter.

Mary Young Hunter. Courtly fantasy high dame court costume. Middle Ages fashion

The duke`s high dame ” by Mary Y. Hunter.

Here a courtly fantasy scene of the Middle Ages, 14-15th century is shown. The clothing shows the fitting design of Gothic and is based on the trend-setting, Burgundian court wealth and luxury. At the Burgundian court in Dijon chivalric culture once again enjoyed a late peak. The Burgundian court ceremonial (the import of the Habsburgs in Spain and was called from then on Spanish court ceremonial) remained in the following centuries model for all absolutist princely courts.

Mary Young Hunter. Edwardian Pre-Raphaelite Painter.

Mary Young Hunter (1872-1947) born in Napier, New Zealand. After the death of her father Edward Towgood in 1882, she moved with her mother Edith Towgood and her three siblings back to England. She studied painting in Newlyn, Cornwall, and at the Royal Academy, where she met John Young-Hunter (1874-1955). His father was Colin Hunter, a well-known marine painter and member of the Royal Academy of London, his mother was Isabella Young Rattre an excellent and important pianist. John received a chosen high aristocratic education, visited Clifton College and the University of London, studied under John Singer Sargent at the Royal Academy of Arts . Mary and John were married in 1899 and spent eight months in Italy to travel back through Germany and Belgium to England. They belonged to the higher London society,  Johns parents friends were John Singer Sargent and Lawrence Alma-Tadema. They made a name for himself as portrait painter.

Mary Young Hunter. Burgundy fashion. Medieval high dame court costume. Edwardian Pre-Raphaelites Painting

” The Wanderer.” By Mary Young Hunter.

Exhibitions in the National Tate Gallery London and Luxembourg Museum in Paris (Paris Salon, Medal 1914) followed. From 1900 to 1913 they exhibited at the Royal Academy. Both are associated with the late Romantic art movement of the Edwardian Pre-Raphaelites. In 1906 their daughter Gabrielle was born. In 1915 they moved to the USA. From New York its first station they moved on to Taos, New Mexico. 1921 the couple separated and Mary Young Hunter moved to Berkley California where she died in 1947. John was fascinated by of the so-called Wild West since he had visited in London Buffalo Bill’s Wild West Show. His painting had since his arrival in New Mexico, the landscape, the Native Americans and still life as a subject, as opposed to the society portraits of his English years. John died in 1955 in Taos.

Christine de Pizan and Queen Isabeau of Bavaria.

Christine de Pizan. Isabeau de Bavière. Middle ages clothing. Medieval costumes. 15th century fashion.

Christine de Pizan presenting her manuscript to Queen Isabeau de Bavière

Christine de Pizan presenting her manuscript against the Roman de la Rose to Queen Isabeau of Bavaria, France c. 1410 – c. 1414.

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Fashion under the Reigns of Louis XI., 1461 to 1515.

Middle ages costumes. houppelande. 15th, 16th century costumes. Burgundy fashion.

Fashion under the Reigns of Louis XI, Charles VIII, and Louis XII. 1461 to 1515

Fashion under the Reigns of Louis XI, Charles VIII, and Louis XII. 1461 to 1515

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Joan of Toulouse 1220-1271.

Joan of Toulouse. Medieval costume. Middle ages fashion. Jeanne Comtesse de Toulouse. Horned Hennin

Joan of Toulouse 1220-1271

Joan of Toulouse (Jeanne, Comtesse de Toulouse) 1220-1271. French medieval costume.

Joan of Toulouse was the only daughter of Count Raymond VII of Toulouse and his wife Sancha of Aragon, the last Countess of Toulouse, Margrave of Provence. She became with the French prince Alfonso of Poitiers, brother of King Louis IX., engaged in 1229. Both died on the way back from the seventh crusade in Italy on two consecutive days.

Moyen Age. Coiffes, Capuchons.

Caps and Hoods fashion. Middle ages headdresses. Hennin. Gothic fashion history.

Caps and Hoods fashion. 11th to 15th century.

Caps and Hoods. 11th to 15th century. The Modes of the Middle Ages.

L’histoire du costume féminin français. Les modes du Moyen Age, de l’an 1037 à l’an 1461. Coiffes, Capuchons. – Planche 4.

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Élégantes. Les modes du Moyen Âge.

French Nobility costumes. Middle Ages costume history. 12th to 15th century gothic costumes.

Nobility fashion

Nobility costumes. French Fashion History 11th to 15th century.

L’histoire du costume féminin français. Les modes du Moyen Âge, de l’an 1037 à l’an 1461. Moyen Âge.  Élégantes – Planche 1.
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