Since his first appearance as a jacket, in the early 18th century, Caraco has experienced several changes. Originally it was a dress, the skirt, the lower part was removed and the middle-class women in the face of his comfort quickly became popular. The first Caraco were worn very long. Later they ended up at the height of the pockets of the petticoat. It was close to the body, the sleeves usually ended before the elbow, and later they were three quarters long, and were filled with crossed gauntlets or cuffs. A plunging neckline, the neckline varied from oval to more conical, and was at the beginning of some moral criticism. When the nobility from the mid-18th century, this garment took the whipped cuffs were decorated with precious lace. On the picture you can see a precious Caraco from taffeta and gauze bouillonnée. The jacket was sewn on the back with pleats that open on the dress, the sleeves are padded and end up in lace flounces. The round collar is made of fine lace. Small bags are placed on both sides. The jacket is decorated with braided straps that continue colored curly hair in the fashion and dress. The lady wears a dog in her arms, a stick of ebony with an ivory tip in the other.
Related: Louis XIV. , Louis XV. , Louis XVI., Baroque, Rococo, Directoire, French Revolution, Regency, Empire, Restoration or Romanticism fashion era. German Biedermeier.
French nobleman and nobelwoman 1550. French Court Dress 16th century.
The nobleman wears a typical element of the Spanish fashion, the short, loose-fitting cloak, called the Spanish Cape. This was not buttoned and was loose over her shoulders. This he wears a waist-length, quilted jacket with a mandarin collar, which was called “goose belly”. It was closed by a central row of buttons. The sleeves are occupied by frill sleeves. Harem pants with a padded waist high set. Buckled shoes and stockings. On his head a little beret and a beard. A long iron spike completes the appearance. The nobel woman is in stiff corset bodice with drop waist. The narrow sleeves and collar are also completed by ruffles cuffs. The shoulders are padded bead. The style is worn high. The skirt is floor length and richly decorated. Forward it will be kept open so that the cone-shaped, stiff petticoat, which is also decorated emerges. This was the forerunner of the crinoline (Farthingale, Vertugado, Hoop skirt). A headdress she wears an ornate bead cap, called Escoffion. She wears under the long skirt the Kothurne that shoes are made of wood or cork. The folds of the dress are over with hot iron and wire into shape.
The Spanish fashion. Late Renaissance costumes in the transition to the Counter-Reformation, early Baroque period.
Peasant dress is universal – “Fashion “à la Marlborough”- Caps – Bonnets – Mdlles. Fredin and Quentin – Ruches – Low bodices; “postiches” – Costume of Contat · Suzanne – Fashions “à la Figaro” – Literature and politics signified in dress; the Princess de Monaco’s pouf – Pouf “à la circonstance;” the “inoculation” pouf – The “innocence made manifest” caraco – The “harpy “costume – Coats, cravats, and waistcoats, Sailor jackets and” pierrots” – Déshabilles; “the lying fichu” – Etiquette in dress Seasonable costumes – The queen’s card·table – State of trade in Paris, circa 1787 – “Pinceauteuses,” or female colorers.
Robe à l’Anglaise. Coiffée d’un Bonnet à la Janot.
France in 1786, the evolution of modern feminine fashion.
Paris à l’Anglaise.
Table of content
Rose Bertin, the Court dressmaker – Fashions in Paris à l’Anglaise – Gauze handkerchiefs round the neck – Hair-dressing – Excessive use of feathers in the hair – At Versailles a forest of feathers – Extravagant cost of feathers for hats
“Fashion is the great governor of this world. It presides not only in matters of dress and amusement, but in law, physic, politics, religion, and all other things of the gravest kind. Indeed, the wisest of men would be puzzled to give any better reason why particular forms in all these have been at certain times universally received,and at other times universally rejected, than that they were in or out of fashion.” Continue reading →
LEGHORN CHIPS – THE ABOLITION OF THE HEAD-DRESS – THE CAUSES THAT BROUGHT IT – HAIR RESTORED TO ITS NATURAL STATE – HATS WITH IMMENSE BRIMS – THE DISAPPEARANCE OF THE HEAD-DRESS – THE ORIGIN OF THE HOOPED SKIRT– THE DISAPPEARANCE OF THE HOOPED SKIRT
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