Ladies of high standing in the transition from the 17th to the 18th century, after rare coloured copper engravings of that period. Female fashion of the baroque in the 17th and 18th century.
Category: Baroque
France. The elegant world of rococo in the 18th century.
The elegant world in the 18th century. Women of the people. Officer of the royal house. Stocking and lace maker. (1735-1755).
Pendulum clock gilded bronze. Lighters Epoch of regency.
This watch is said to have belonged to Madame du Barry. Pendulum clock gilded bronze. Model by Jean-Joseph de Saint-Germain (Paris 1719-1791). Louis XV era. Pavillon de Louveciennes

Textilepedia. The Complete Fabric Guide.
The Textile Manual is an encyclopaedia of textile information, from material to yarn, from fabric structure to the finishing process. Encompassing practical tips for a range of textiles and detailed visuals, this ultra-accessible manual is the perfect companion for fashion aficionados and aspiring fashion designers.
Goldsmiths’ work and jewelry by Gilles L’Egaré. France 18th century.
Some of the clasps, called châtelaines, with which this plate is filled, belong to the style which was in fashion from 1719 to 1745
The Bridge of Sighs as the centre of the Byronic idea of Venice.
No other city is so fascinating to the imagination, so rich in associations, or so picturesque, as Venice.
The palanquin. France 18th century. Louis Quinze style furniture.
Europe. 18th century. France. Magnificent armchair. Second half of the century. The palanquin.
Médaillier in the form of a chest of drawers. Louis-quinze (style rocaille).
The Médaillier is considered one of the most beautiful creations of French furniture from the early days of Louis XV’s reign.
Fourreau élégant. La bonne petite Soeur promenant son petit frère. 1786.
La bonne petite Soeur promenant son petit frère. Elle est Coiffée d’un Chapeau à la sicilienne et vêtue d’un Fourreau élégant.
Cartouches. Specimens. Peinture en camaïeu. France 18th century.
THIS plate terminates the series in which we have successively represented the different phases of the cartouche.
An old woman reading with spectacles by Rembrand. Portrait of his mother.
The Wilton picture is mentioned by Gambarini as: “Rembrandt — an old woman reading with spectacles.” It was therefore in the collection before 1730.
The American Duchess Guide to 18th Century Beauty: 40 Projects for Period-Accurate Hairstyles, Makeup and Accessories by Lauren Stowell & Abby Cox.
Seventeenth and Eighteenth-Century Fashion in Detail by Avril Hart & Susan North. From cut and construction to fabric and trimmings.
Timeless: Recreate the Classic Makeup and Hairstyles from 100 Years of Beauty by Louise Young & Loulia Sheppard.