THE accompanying rich and elegant costume has been extracted from a picture by the Duc de Seyde, who died, in the flower of his years, a a victim to his passion for art. He was celebrated both as painter and engraver. At once the friend and rival of Albert Durer (1471 -1528), a noble emulation led them often to treat the same subjects, and the friendship which united them was expressed by a frequent interchange of their works.
Henry I (c. 1068 – 1236) and king John (1167 – 1216).
English kings Henry I and King John.
IN one of the Cottonian manuscripts (Julius, E. IV.), a brief metrical chronicle of the kings of England, which has been attributed to John Lidgate (1), and which was composed soon after the 10th Hen. VI., is illustrated by a series of singular and bold drawings of the monarchs whose reigns it commemorates. Two of these figures are given on the accompanying plate, which were intended to represent Henry the First and King John. The costume of King John is rather remarkable, particularly the high clogs which he has on his feet.
Chatelaine advances at the head of the procession. Mounted on a hatchet near by stands a page. On the right the lord dressed in green. Trumpet and bells lead the way. Miniature of the Breviary of Cardinal Grimani, attributed to Marciana Biblioteca of S.Marc, Venice. Fifteenth century.
Edward III. (13 November 1312 – 21 June 1377) from the Anjou Plantagenet dynasty, was king of England and Wales from 1327 to 1377 and is considered one of the most important English rulers of the Medieval times.
Courtiers of the time of Richard II. MS. Reg. 15 D. Ill, and MS. Harl. No. 1319.
COURTIERS OF THE TIME OF RICHARD II.
Anjou-Plantagenêt ruling dynasty
ABOVE all other periods in the history of England, that of the weak Richard II. was remarkable for the variety and gaiety of its fashions. The satirists and reformers of the day were zealous and loud in their outcries against the extravagance of the higher classes.