Fantasy costume design of the mother of Venus, by Léon Bakst.
Fantasy costume of Dione, Mother of Venus by Léon Bakst
‘Fantaisie Sur Le Costume Moderne, Dioné’, By Léon Bakst 1914.
Dione is in Greek mythology, the mother of Aphrodite. In Roman mythology, she is equated with Venus. Or Dione (Greek Διώνη) is in Greek mythology, the daughter of Atlas and the wife of Tantalus, thus the mother of Broteas, Pelops and Niobe.
Art deco, Art nouveau fashion era.
Costume designs for the Russian ballet “Le Dieu Bleu.” By Léon Bakst. 1914. Femme avec Offrande. Un Fakir.
Costume designs for the Russian ballet “Le Dieu Bleu.” by Léon Bakst.
Femme avec Offrande. Un Fakir.
Art deco, Art Nouveau era
Embroidered Fan. Designed by Lilian Archer 1914.
Embroidered Fan. Designed by Lilian Archer 1914.
Executed by Alice Archer. Owned by Mrs. Drinkwater. Art deco, Art Nouveau era.
Spring toilet of houndstooth Batiste voile.
Spring toilet from pastel cloth.
Society toilet of fantasy taffeta.
Belle Époque costumes. Society and Spring toilet in 1906.
Spring toilet of houndstooth Batiste voile. Corsage opening into Jack corners, bordered by aperture taffeta and lace jabot together in a kicking, plastron with embroidery. Stocking of little buttons with eyelets. High silk belt. Ball sleeves with embroidery tulip and iris border, finally in a lacy frill. Skirt with wide stripes embroidery, bounded by taffeta dazzle.
Spring toilet from pastel cloth. Corsage, opening in deep lapels, oblique closing vest with pointed collar and jabot. The body folds easily in the high, curly corset belt with button trim. Puff sleeves with cuff. Rich skirt is double aperture attachment, an overdress marking.
Society toilet of fantasy taffeta. The corsage, obliquely opening in the reverse of bright silk, silk shawl trimmed with small ruffles like. Shoulder ruffles covered, which end with rosettes. Side waist closing with rosettes. Small gauze chemise. Puff sleeves with flounce approaches. Easy Enqueued skirt with two ruffles, above conclusively by band clasps and rosettes.
Tags: Sans-Ventre-line. Straight-fronted corset. Edwardian fashion era, Belle Époque, The Gibson Girl, Art nouveau period.
Related: The origin of the Corset. A Book of Modes and Costumes.
Source: Le costume moderne. Journal illustré de modes. Specialist journal for the entire women’s costume compartment. Published by C. Heinemann, Berlin 1906.
Panel by Frederick Marriot
Panel in Gesso and Mother of Pearls by Frederick Marriot.
Fairy, fantasy costume. Art nouveau period 1910s.
Frederick MARRIOTT, (1860-1941).
Painter and etcher of landscapes, architectural subjects and portraits. Born on 20th October 1860 at Stoke-on-Trent, brother of the artist Frank Pickford Marriott.
Received his early training in the school of Art, Coalbrookdale, and at the age of 14 he went to work as a pottery painter in a factory. In 1879 he gained a National Scholarship at the R.C.A. where he studied for three years.
He then worked as a designer and illustrator to Marcus Ward [note: should be “Wood”] and Company. Later became Chief Designer with Eyre and Spottiswood, and remained for four and a half years. He practised repoussé work, wood carving, enamelling and modelling, and produced some fine panels in modelled glass [note: should be “gesso” ] with mother-of-pearl inlay. Exhibited at the R.A., R.E., in the provinces and at the Paris Salon.
He was Design Master at Blackheath Art School, Headmaster of the Onslow College Art School, Chelsea, and Headmaster, Goldsmith’s Institute, 1895-1925.
Member of the Arts and Crafts Society, also the Art Workers’ Guild, and was elected A.R.E. 1909, R.E. 1924. Made continental tours working on town scenes with the emphasis on architecture, and also visited and painted in Australia about 1910. He was friendly with Brangwyn, Clausen, Drury and East.
Lived in London and died on 2nd October 1941.
Source: “Dictionary of British Artists working 1900-1950″ by GRANT. M WALTERS,
Embroidered chair back by Robert Anning Bell, R.W.S.
Art nouveau design for an embroidered chair back by Robert Anning Bell.
Victorian painter Robert Anning Bell 1863–1933 was an English artist, figure painter, sculptor of reliefs, illustrator and designer of mosaics and stained glass most notably for Westminster Cathedral.
Free Ebook: The tempest; a comedy by William Shakespeare. Decorated by Robert Anning Bell (1901)
” Dies Irae. ” An Illustration to Kenneth Grahame`s ” Dream Days.”
Dream Days by Kenneth Grahame 1898
” Dies Irae. ” An Illustration to Kenneth Grahame`s ” Dream Days.” By Maxfield Parrish. (From the original in the possession of John Lane, Esq.) Dream Days is a collection of stories by the English writer Kenneth Grahame, which was first published in 1898. Best known for the story contained therein, the dragon did not want to fight (The Reluctant Dragon). The dragon did not want to fight tells the story of a friendship between a little boy and a gallant, poems writing dragon, who had settled in the hill country of Berkshire and blissful legally ignorant as alerting its presence in the local villages is taken. It is up to the boy to ensure that the expected arrival of Saint George does not bring about the destruction of his new friend. This most famous of the stories was filmed in 1941 as an episode titled The Reluctant Dragon by The Walt Disney Company. Dies irae (lat. “Day of Rage”, often in the medieval Latin form This ire) is the beginning of a medieval hymn of the Last Judgment, which was sung from the 14th century to 1970 in the Roman liturgy as a sequence of requiem. The text was approved by the Council of Trent (1545-1563) as an integral part of the funeral mass. Today it can – in use of older books of hours – in the last week of the liturgical year and All Souls Day “ad libitum” are sung in the Liturgy of the Hours. As the author is traditionally regarded Thomas of Celano, a friend and biographer of Francis of Assisi; this attribution is disputed. The hymn has an alternating accentuating meter, thus trochee on.
Gregorian Chant – “Dies Irae”
Maxfield Parrish, actually Frederick Parrish; 1870-1966 was an American painter and illustrator best known for his hyper-realistic images of imaginative subjects. Parrish was the son of the landscape painter and etcher Stephen Parrish and studied fine arts at the Pennsylvania Academy of the Fine Arts and the Drexel Institute of Art, Science & Industry. It was the start of a long career as an illustrator, initially mainly of children’s books (including a famous edition of One Thousand and One Nights in 1909), later also for magazines and advertising agencies. He also illustrated many calendars and he is known as one of the first to posters produced on a large scale for commercial sale. A defining moment in the career of Parrish was the order, the children’s book by L. Frank Baum ” Mother Goose “ to illustrate in 1897. Maxfield Parrish is considered as the most successful American illustrator from the first decades of the twentieth century. His work is characterized by a hyper-realistic style, with neo-classical and neo-romantic elements and attention to detail. He worked with an almost photographic precision. His subjects are searched in a fantasy world and show a great imagination. Particular prominence he got with his androgynous nudes, which he often used the same models (Kitty Owen in the twenties, later Susan Lewin). He was also renowned for his innovative techniques. Through a special glazing technique he knew to give to his colors. Almost luminous effects. He often applied carefully geometric principles in his work and he made an innovative way using photographic techniques as the basis for his images. From the thirties Parrish would also be concentrating on landscape painting, more emphatically but that he never got the appreciation that befell him as illustrator. After his death in 1966, at the age of 95, his work underwent a strong revaluation. Norman Rockwell called him his greatest inspiration. Several of his works were used as covers for LPs in the pop world and Michael Jackson used his famous work ” Daybreak “ as the basis for the video for his song ” You Are Not Alone “. First editions of his work nowadays bring top prices at auctions that often exceed a million dollars.
” The Broken String of Beats ” by Hede von Trapp.
” The Broken String of Beats “. Art nouveau illustration by Hede von Trapp 1910s.
Hede von Trapp 1877-1947 was an Austrian poet, painter and graphic artist of the Art Nouveau. The majority of the artistic work of Hede von Trapp consists of literary works. She initially worked exclusively as an author and poet. Her graphic oeuvre is mostly closely thematically related to its literature. Often to play female characters who fight against social conventions, a central role.
The Artist and Suffragette Ann Macbeth c. 1900
An Appreciation of the work of Ann Macbeth 1875–1948.
The association of the needle is with the woman’s hand, and though the sewing machine may have robbed the expression of much of its truth and of all its sentiment, it may still be said, to paraphrase the words of a well-known dictum, that “the hand that holds the needle beautifies the world.” And by this no disparagement is intended of that vast army of tailors whose office it is to clothe mankind. For the dress of the modern Occidental man knows no art in its composition, nor can decoration, however added, redeem it from its state of sad monotony. But happily the work of the needle is not solely confined to the manufacture, or even the decoration, of garments, and in the hand of the woman it makes its appeal in poetry and has its place in art.
American Belle Époque Fashion
American Beauty. Belle Epoque Fashion.
American Beauties by Albert Sterner. Publication: Thirty Favorite Paintings by Leading American Artists 1908. Publisher: P.F. Collier & Son.
Spring suit of brocaded wool. Germany 1892.
Spring suit of brocaded wool. Germany Belle Epoque Fashion 1892.
The long straight skirt closes with a fold down from. The long, with lapel fitted waist womb, opens on a bright colored vest is closed with small buttons. Bags and Sleeves Patten (cover) are made of silk. Curved round straw hat with rich lace, tape, – and flowers.
Theatrical costumes for Budapest
Theatrical costumes for Budapest
Theatrical costumes for Budapest. Costumes by Vienna Workshops 1917.
Vienna Workshops, (Vienna Secession) Cooperative enterprise for crafts and design founded in Vienna in 1903 (Wiener Werkstätte). Art nouveau period.
Vienna Workshops. New models of the fashion department 1917
Costumes by Vienna’s Workshops 1917.
Vienna Workshops, Cooperative enterprise for crafts and design founded in Vienna in 1903 (Wiener Werkstätte). New models of the fashion department 1917. Art Nouveau period.