Riding dress of grey cloth. Round gown. Caroline hat.
Morning Dresses. November 1795. The Gallery of Fashion Vol. 2. April 1795 To March 1796.
The hair dressed in light curls; the hind hair turned under, and the ends returned in ringlets. Caroline hat of white satin, trimmed with yellow satin riband; yellow feather placed in the front bow. Round gown of muslin, embroidered in colours; long sleeves; double flounce at the bottom. Double trimming round the neck. Black satin cloak, trimmed with broad black lace. Jonquille coloured gloves and shoes.
The hair in curls and ringlets. White patent hat made of raw silk, trimmed with plaid silk, scalloped, and white riband. – Round gown of India long cloth; short sleeves, trimmed with lace; a broad hem and tuck at the bottom. Two rows of full plaiting round the neck. Yellow gloves and shoes.
The hair in curls and ringlets; the hind hair turned up plain. White patent hat made of raw silk; two yellow craped feathers in the front. Riding dress of grey cloth. Waistcoat of yellow silk. Riding handkerchief, trimmed full round the neck. York tan gloves. Yellow shoes.
Support and Seduction: The History of Corsets and Bras (Abradale Books) by Beatrice Fontanel.
19th Century Fashion in Detail by Lucy Johnston
Underwear: Fashion in Detail by Eleri Lynn.
Embellishments: Constructing Victorian Detail by Astrida Schaeffer.
The Age of Undress by Amelia Rauser.
Dress in the Age of Jane Austen by Hilary Davidson.
Jane Austen at Home by Lucy Worsley
Thoughout the ages, women's breasts have been subjected to the endless whims of fashion.
From the ancient Greeks to Mae West and Madonna, this light-hearted book charts the changing shapes of female beauty. The elegant and amusing images - including fashion drawings, paintings, photographs, and film stills - illustrate the often surprising history of the garments women have worn for support - and seduction.