Tag: Iconographie du costume

Iconographie générale et méthodique du costume du IVe au XIXe siècle. Collection gravée à forte d’après des documents authentiques & inédits par Raphaël Jacquemin. Paris 1869.

Italian fashion history of the 14th and 15th century.

14th century, clothing, Italy, Burgundian, Burgundy, costumes, Middle ages,

In the fifteenth century Italian dress exhibited the same variety as that of France, England, and Germany. In Italy, as in other countries, numerous enactments were promulgated with the object of restraining the ever-increasing luxury in attire, but these were just as unsuccessful in Italy as elsewhere.

The Days of the Directoire. Costumes under the French Revolution.

Public audience, directory, Directoire, Revolution, costumes,

Costume under the Revolution; Versailles no longer the arbiter of the mode – Anglomania, “Anticomania,” Rousseau, and a “return to Nature ” – Blonde perukes – Dresses à la Flore, à la Diane, etc. – The classical cothurnus; the “balantine ” – Pink silk tights and gauze veiled nudities – Impossibles and Incroyables; masculine dress à la Anglaise – Official costumes of National Representatives and of Directors – Barras’ little joke – A lady on contemporary fashions in Paris.


Auguste Racinet. The Costume History by Françoise Tétart-Vittu.

Racinet's Costume History is an invaluable reference for students, designers, artists, illustrators, and historians; and a rich source of inspiration for anyone with an interest in clothing and style. Originally published in France between 1876 and 1888, Auguste Racinet’s Le Costume historique was in its day the most wide-ranging and incisive study of clothing ever attempted.

Covering the world history of costume, dress, and style from antiquity through to the end of the 19th century, the six volume work remains completely unique in its scope and detail. “Some books just scream out to be bought; this is one of them.” ― Vogue.com