Stephen Keene (about 1640-1719) was an English instrument maker. He made harpsichords, spinets and virginals in his workshop in London.
A transverse Spinet made by Stephen Keene at the end of 17th century.
Category: Fashion History
Robe de Cour avec son panier, garnie de feuilles de chêne en guirlandes.
Grandes robes d’étiquette à la cour de Marie-Antoinette. Robe de Cour avec son panier, garnie de feuilles de chêne en guirlandes. A Madame la Comtesse d’Oyras 1786.
Royal and Republican Navy uniforms. France 18th century.
The uniforms of the French Navy under the government of Louis XVI and the revolution. 18th century.
Clothing of the middle classes in France during the rococo period.
France 18th century. Costumes of the middle classes. Bourgeois women and their children. Rococo period.
Bagpipes. The Musette, Zampogna, Hurdy-gurdy and Cornemuse.
The Bagpipe (Cornemuse and Musette) and the hurdy- gurdy (Vielle) were, after the thirteenth century, banished to the lower orders, to the blind and to the wandering mendicant class.
Design of a silk pattern in franco-oriental style. 17th c.
Design of a silk pattern in franco-oriental style based on Persian ornamentation. France at the beginning of the 17th century.
Musical instruments of the Middle Ages from the 12th to the 16th century.
Medieval musical instruments. Stringed instruments. The harp, the psaltery, the rota, the lute, the mandora, the guitar, the zither and the citole.
Transport wagons, coaches and carriages in 16th and 17th century.
Transport wagons, coaches and carriages in 16th and 17th century Europe. Coaches in France. Continental carriages in the 13th and 14th century.
Garde du Corps. Hussars and Ulans. Uniforms of the 18th century.
France first half of the 18th century uniforms. Rattky and Bercheny-Husars. Garde du Corps. Foreign regiments. Hussars and Ulans. Uniforms of French soldiers of the 18th century.
The Tuscan. A short account of a Violin by Stradivari.
The “Tuscan.” A short account of a Violin by Stradivari. Made for Cosimo III de Medici, Grand Duke of Tuscany, Dated 1690. THIS remarkable instrument, one of the finest examples of Stradivari’s work, is probably unique in the preservation, in every detail, of the original beauty of its form and workmanship.
